1969 Pulitzer Prize
The following are the Pulitzer Prizes for 1969.
Journalism awards
- Public Service:
- *The Los Angeles Times, for its exposé of wrongdoing within the Los Angeles City Government Commissions, resulting in resignations or criminal convictions of certain members, as well as widespread reforms.
- Local General or Spot News Reporting:
- * John Fetterman of The Louisville Times and The Courier-Journal, for his article, "Pfc. Gibson Comes Home", the story of an American soldier whose body was returned to his native town from Vietnam for burial.
- Local Investigative Specialized Reporting:
- * Al Delugach and Denny Walsh of the St. Louis Globe-Democrat, for their campaign against fraud and abuse of power within the St. Louis Steamfitters Union, Local 562.
- National Reporting:
- * Robert Cahn of The Christian Science Monitor, for his inquiry into the future of our national parks and the methods that may help to preserve them.
- International Reporting:
- * William Tuohy of the Los Angeles Times, for his Vietnam War correspondence in 1968.
- Editorial Writing:
- * Paul Greenberg of the Pine Bluff Commercial, for his editorials during 1968.
- Editorial Cartooning:
- * John Fischetti of the Chicago Daily News, for his editorial cartooning in 1968.
- Spot News Photography:
- * Edward T. Adams of the Associated Press, for his photograph, "Saigon Execution".
- Feature Photography:
- * Moneta Sleet Jr. of Ebony magazine, for his photograph of Martin Luther King Jr.'s widow and child, taken at Dr. King's funeral.
Letters, Drama and Music Awards
- Fiction:
- * House Made of Dawn by N. Scott Momaday.
- Drama:
- * The Great White Hope by Howard Sackler.
- History:
- * Origins of the Fifth Amendment by Leonard W. Levy.
- Biography or Autobiography:
- * The Man From New York: John Quinn and His Friends by Benjamin Lawrence Reid.
- Poetry:
- * Of Being Numerous by George Oppen.
- General Nonfiction:
- * The Armies of the Night by Norman Mailer.
- * So Human An Animal by Rene Jules Dubos.
- Music:
- * String Quartet No. 3 by Karel Husa.
First performed at the Goodman Theatre, Chicago, on October 14, 1968, by the Fine Arts Quartet.