Zoraida di Granata


Zoraida di Granata is a two-act melodramma eroico by Gaetano Donizetti. The Italian libretto, partly prepared by Bartolomeo Merelli, drew on Jean-Pierre Claris de Florian's 1791 play Gonzalve de Cordoue ou Grenade Reconquise and on Luigi Romanelli's libretto for Giuseppe Nicolini's Abenamet e Zoraide.
When Donizetti arrived in Rome, carrying a letter of introduction from his teacher and mentor Johann Simon Mayr to poet and librettist Jacopo Ferretti, he secured his help in revising Merelli's text.
Although it was Donizetti's first theatrical success "and the opera in which he began to adopt 'Rossinian' techniques", the original 1822 version of this violent love story was never given a complete performance because Amerigo Sbigoli, the tenor originally cast in the role of Abenamet, died shortly before the first night, with no replacement available. Donizetti quickly adapted this role for contralto, though omitting three numbers in the process.
The first performance took place at the Teatro Argentina, Rome, on 28 January 1822 and it and its composer received great acclaim in the weekly Notizie del giorno:
The opera was presented in a revised edition at the same theatre on 7 January 1824, and given a revival in Lisbon in 1825.

Roles

RoleVoice typePremiere cast, 28 January 1822
Almuzir, King of GranadatenorDomenico Donzelli
Almanzor, friend of AbenametbassGaetano Rambaldi
Zoraida, in love with, and loved by, AbenametsopranoMaria Ester Mombelli
Abenamet, General of the Moorsoriginally tenor
Amerigo Sbigoli
Ines, a Spanish slave and friend of Zoraidamezzo-sopranoGaetana Corini
Aw ZegribassAlberto Torri

Synopsis

The murderous and duplicitous Almuzir wishes to marry Zoraida, the daughter of the late king, who in turn loves Abenamet, the victorious General of the Moors. To save Abenamet from the sentence of death passed on him consequent to the machinations of Almuzir, Zoraida agrees to the marriage. She survives Abenamet's doubts as to her fidelity and somewhat implausibly is allowed to marry him.

Recordings

1824 version

The Opera Rara recording contains an additional twenty pieces from the 1824 version, with Diana Montague in the role of Abenamet.