Zarkana (Cirque du Soleil)
Zarkana was a Cirque du Soleil stage production written and directed by François Girard. It began as a touring show in 2011 and was converted to a resident show in Las Vegas in late 2012. It premiered at Radio [City Music Hall] in New York City on June 29, 2011, and later toured to the State Kremlin Palace in Moscow and the Madrid Arena in Madrid.
The show was marketed as a reinvention of the variety show, with a story about a magician in an abandoned theatre who had lost his love and his magic. As he cried and begged the gods for her return, he was plunged into a world inhabited by surreal creatures. The title Zarkana is a fusion of the words "bizarre" and "arcana", referring to the strange aura and atmosphere of this place and its inhabitants.
Following Zarkana's successful run in Moscow, the show started residency at the Aria Resort and Casino in Las Vegas on November 9, 2012. The show replaced the Cirque du Soleil resident production Viva Elvis, which had closed in August 2012 at the Aria Resort. On April 30, 2016, Zarkana closed to provide space for a new convention hall at the Aria.
History
To fully rehearse for Zarkana, Cirque du Soleil needed to find a facility large enough to accommodate a space similar in size to that of Radio City Music Hall. Lacking enough space at the Montréal headquarters, the company looked around North America for a suitable place. They chose the Amway Arena, located in Orlando, Florida. The crew moved into the facility on February 28, 2010, and stayed for a couple of months. Cirque du Soleil paid a day plus expenses to rent the arena.Set and technical information
The set consisted of three hand-sculpted arches which represented three of the four mutant characters. The first arch, which was also the largest, represented Kundalini, a snake woman whose world was populated by dozens of slithering snakes. It was decorated with more than of hand-painted resin “snakes” which started out as styrofoam sculptures that were used to create molds for the liquid resin. The second arch represented Mandragora, a plant creature whose vines had overtaken the abandoned theater; the arch was utilized as a video screen. It also had plant-like "arms" which extended to nearly in length. The third and final arch, decorated with technological gears and pulleys, represented both the Pickled Lady and the Mad Scientist whose experiments unwittingly created her.Stéphane Roy drew inspiration from the Art Nouveau movement, Antoni Gaudí, Gustav Klimt, and René Lalique. Lalique's inspiration could be closely seen at the extremities of the acrobatic equipment. "Keen observers will also note that the shape of the hole through which Zark makes his first entrance reproduces the outline of Manhattan, while the moon
above the stage marks the exact position of Radio City Music Hall."
The LEDs on the light wall, which measured, contained more than three million pixels. The second arch contained an LED screen comprising 118 separate panels. The stage itself consisted of a sliding platform which allowed for fast equipment and prop changes.
Radio City Music Hall is a national landmark and could not be altered in any way. Therefore, the set and props all had to be created in such a way that no anchors are used for any of the equipment. Everything brought in had to be self-supporting since nothing could be bolted in. This complicated the safety and security designs of the acrobatic equipment.
Below are a few additional highlights from the set design.
- The cradle stations used in the flying trapeze relied entirely on "hanger tubes" for their rigidity. The structure of the high wire number installed on the floor of the theatre's orchestra pit was freestanding.
- The walls on either side of the stage were covered with a representation of a patchwork of ceramic tiles, each one different and hand-painted with gold leaf on a fabric that allowed for transparency and onto which images can be projected.
- The video projection in the arch utilized infrared cameras so that the projections could interact directly with the performers' movements. This was also utilized for interaction of the fire used throughout the show, adding additional special effects in the projections.
- The Kabuki-style rope curtain was.
- The two Eagle’s-head bandstands were tall and weighed more than each.
Cast
- Zark: Until 2014, he was the show's principal character, a magician who has lost confidence in himself and his powers. The character was initially played by Canadian singer Garou and later by Paul Bisson, from Montreal. The Zark character was cut in the 2014 revamping of the show.
- Lia: Zark's former assistant and dream girl. She was played by Canadian singer Cassiopée.
- Mutant Ladies: Four different women who try to seduce Zark.
- * Pickled Lady: The result of one of the Mad Scientist's experiments.
- * Mandragora: An incarnation of the ivy that has grown in the theatre.
- * Kundalini: A snake woman.
- * Tarantula: A spider woman.
- Movers : Ti-Boss, Chameleon Convict, The Ballerina, Rag Doll, Mardi Gras, Sleepy Clown, Le Pierrot, The Apprentice, Porter, Mad Scientist, Chinese Cook, Preacher, Dame Plume, The Bride.
- * The primary clowns included Hocus, and Pocus.
- Jovians: Extraterrestrial creatures from the planet Jovia.
- Oracle: Communicates with the past and future. The Oracle performed the sand painting act.
Music
- 1. Antilia '
- 2. Zawraq '
- 3. Eridanus
- * Ladder Duo
- * Freestanding Ladder
- * Chair Balancing
- 4. Caph
- * Aerial Hoop Duo
- * Highwire
- 5. Crysococca
- * Wheel of Death
- * Teeterboard
- 6. Kuma
- 7. Tarientar/The Archer '
- 8. Gienah '
- 9. Rae
- * Hand Balancing
- * Aerial Silks
- * Bed
- 10. Tourago/Guiram '
- 11. Jarseate
- 12. Asteraw
- Juggling
- * Juggling
- * Rola Bola
- * Icarian Games
- Pickled Lady Birth '
- So Green
- Straps
- Flags
- Hoops
- Kudalini Ver.2 ''
- Third Kind '
- Remember '
- Love Duet/Of Gospel ''
- Whenever
- Curtain Call
- Pickled Lady Funeral
- A Phantom's Parade '' ''
Acts
- Juggling: A performer juggled balls in the air and against varying surfaces to create sounds, and also tap danced.
- Aerial straps: A pair of twins flew over the stage and audience using only aerial straps and each other.
- Flag manipulation: A group of performers juggled and tossed around flags.
- Russian bar: Two men propelled an acrobatic flyer into the air with a long flexible bar.
- Highwire: Two men performed a daring high wire act while a fiery pendulum swung across their path.
- Cyr wheels and cerceaux: Seven artists performed in cyr wheels while others performed tricks in aerial hoops.
- Sand painting: An artist used a light table to tell a story through drawn images in the sand.
- Grand Volant: Twelve acrobats performed on three trapezes side-by-side. An aerial cradle and mini trampoline were also used.
- Wheel of death: Two men performed death-defying feats in a giant spinning "Wheel of Death".
- Handbalancing: An artist performed handbalancing skills on a slippery surface.
- Banquine: Fifteen artists performed banquine, involving human pyramids and aerial crossovers.
Acts in rotation
- Chair Balancing: A performer balanced on chairs atop a piano and atop a ladder.
- Ladder duo: A duo performed balancing maneuvers on ladders.
- Rola bola: A performer balances on a board atop a stack of rolling cylinders.
- Icarian games: One performer lay on his back and flipped, twirled and spun another performer on his feet.
- Double lyra: A pair of aerialists performed together on a single aerial hoop.
Retired acts
- Rope duet: A duet performed on aerial ropes.
Costumes
Hranitelj took inspiration from the 1920s, 1930s, and Art Deco movement to create the 250 costumes in Zarkana. Floral motifs were utilized throughout the show to reflect the love and passion of the show's principal characters. The rose was utilized for Lia and Zark, and therefore red and pink were heavily used in their costumes. As red was a symbol of Lia and Zark's love, red was also utilized in the costumes for the Banquine act, as this act finally unified the two lovers. The fabrics chosen for the show included polyester and neoprene. Sublimation was used on the fabrics to create the colors and prints designed for the show.
Other highlights of the costume collection included the following:
- Kundalini's costume was fireproof because she performed close to fire-eaters.
- The Oracle's costume was influenced by Russian/French designer Etré.
Accidents and incidents
Tour
Zarkana began as a seasonal touring show, playing at Radio City Music Hall in New York, the Kremlin Palace in Moscow, and the Madrid Arena in Madrid. The show began previews on June 9, 2011, at Radio City Music Hall and premiered on June 29, 2011. In late 2012, the show was converted from a touring production into a resident show at the Aria Resort & Casino on the Las Vegas Strip.The following colorboxes indicate the region of each performance:
Europe North America South and Central Americas Asia/Pacific Oceania Africa
Arena tour
2011 schedule
Preview: New York City, NY - From 9 Jun to 26 Jun 2011New York City, NY - From 29 Jun to 8 Oct 2011
Madrid, ES - From 9 Nov to 1 Jan 2012
2012 schedule
Moscow, RU - From 4 Feb to 8 Apr 2012New York City, NY - From 9 Jun to 2 Sep 2012
Residency
2012 - 2016 schedule
- Las Vegas, NV - From 25 Oct 2012
- Las Vegas, NV - From 9 Nov 2012 to 30 Apr 2016