Neil Z. Yeung of AllMusic wrote the song "digs into an even deeper emotional well, showcasing how much he's matured and shifted life priorities in such a short span." Carl Wilson of Slate gave a criticalreview, considering it "possibly the least appealing song on F-1 Trillion" and commenting "it serves a degree of daddy-daughter possessive ick rarely seen since Bob Carlisle's 1997 embarrassment 'Butterfly Kisses.'"