Xiang Yuanbian
File:項元汴.jpg|thumb|321x321px|Ming dynasty portrait of Xiang Yuanbian, collection of the Shanghai Museum
[ File:项元汴_山水.jpg|thumb|338x338px|Painting by Xiang Yuanbian, Autumn Pond]
Xiang Yuanbian, also known by courtesy name Zijing and art name Molin, was a native of Jiaxing, Zhejiang Province. He was a prominent Ming dynasty collector and connoisseur of paintings and calligraphies.
Life and work
Xiang was of short stature and plain appearance. He was born into a prosperous family of businesspeople, his family's wealth ranked among the top in the Jiangnan region. He was knowledgeable in appreciation and an avid collector of ancient bronze artifacts inscribed with text, stone steles, calligraphy works, and paintings.His collection included works from a number of well-known calligraphers and painters from the Three Kingdoms, Jin, Tang, Song, and Yuan dynasties. He constructed the Tianlai Pavilion as a private museum for calligraphy and paintings. He frequently hosted appreciation events attended by elites, connoisseurs, literati, and artists of his time. Among his guests there were esteemed painters such as Wen Zhengming, Qiu Ying, and Dong Qichang.
He had an obsession of stamping his collection seals on authentic works and marking their prices. For example, he stamped 98 seals on the calligraphy work Lantingji Xu by Chu Suiliang, and over 70 seals on the calligraphy work Huaisu's Autobiography by Huaisu. Such a practice was criticized by Ming and Qing scholars as excessive, profit-driven, and disrespectful to the authentic art works. Although it was commended by contemporary researchers that these markings provided critical information for the collection and trading of art works at Xiang's time.
Xiang himself was proficient in calligraphy and landscape painting, learning calligraphy from Zhao Mengfu and painting from Huang Gongwang and Ni Zan. His painting "Bamboo and Chrysanthemum" was included in the Catalogue of the Stone Canal Treasure '','' a Qing dynasty art collection of the imperial family. His collection was nearly looted during the early years of the Qing dynasty. Today, over 650 calligraphies and 790 paintings of Xiang's collection are trackable, they are housed at the Palace Museum in Beijing, the National Palace Museum in Taipei, as well as in various museums and private collections in Hong Kong and Japan.