Xavier Montsalvatge


Xavier Montsalvatge i Bassols was a Spanish composer and music critic. He was one of the most influential figures in Catalan music during the latter half of the 20th century.
WWW montsalvatge.com

Biography

Life

Montsalvatge was born in Girona, and studied violin and composition at the Barcelona Conservatory. His principal teachers were Lluís Maria Millet, Enric Morera, Jaume Pahissa, and Eduard Toldrà. After the Spanish Civil War, Montsalvatge began work as a music critic when he joined the weekly Destino in 1942, a publication he would eventually direct in 1968 and 1975. He wrote additionally for the daily La Vanguardia after 1962. Montsalvatge also returned to teach at his alma mater, becoming a lecturer in 1970, and then a professor of composition in 1978.
In 1982 he served on the jury of the Paloma O'Shea Santander International Piano Competition.
He was awarded Spain's Premio Nacional de Música for composition in 1985. He died in Barcelona, aged 90, and was buried at the Sant Gervasi Cemetery Barcelona.

Work

Montsalvatge's style evolved over several different phases. At the start of his career, he was strongly influenced by the twelve-tone technique and by Wagnerism, which together dominated the Catalan music scene during the period represented by his Sinfonía mediterránea of 1949. In the following period, he found inspiration in the music of the Antilles. His steady contact with the French composers Olivier Messiaen and Georges Auric led to a crucial change in his style, which soon became characterized by free polytonality. The final phase of Montsalvatge's work revealed the influence of the avant-garde.
Montsalvatge explored virtually all musical forms in his composition. His work ranges in scale from operas to chamber music, in between which lie his orchestral works, such as the Desintegración morfológica de la Chacona de Bach, the Laberinto o Sinfonía de réquiem, and the prizewinning Sinfonía mediterránea and many solo piano works including the well known Sonatine pour Yvette written and inspired by his young daughter at the time. He owed his international fame chiefly to one charming and outstanding work: the Cinco canciones negras for mezzo-soprano and orchestra, a blend of Antillean rhythms and themes; among them, the best known is the Canción de cuna para dormir un negrito. He wrote film music and in 1987, his score for the picture Dragon Rapide, about Francisco Franco, was nominated as the best original music at the Goya Awards.

Important works

  • Cinco canciones negras
  • Concerto breve for piano and orchestra
  • Canciones Para Niños
  • Sonatine pour Yvette - piano solo
  • Babel
  • Homenaje a Manolo Hugué
  • Serenata a Lydia de Cadaqués
  • Reflexions-obertura
  • Concert capriccio for harp and orchestra
  • Fantasía for harp and guitar
  • Simfonia de Rèquiem
  • Bric à brac
  • "Partita 1958"
  • "Euro fanfàrria"
;Choral works
;Operas
  • El gato con botas
  • Una voce in off
  • Babel 46
;Ballet
;Music for cobla ensemble
Piano Music