William L. Haney
William L. Haney is recognized for his narrative-realist paintings. His paintings were constructed as conceptual collages involving social-political issues of the late 20th century. Haney was intensely engaged in art history, often referencing other artists and the world around him. His artistic process consisted of drawing and collecting images from magazines, posters, and other sources. Usually, he would prepare watercolor first and then plan placement as per color attributes, finishing with an oil painting and print. His draftsman skills only allowed him to draw on canvas without the aid of a camera. He was also known as a super-realist and a post photo-realist. Other contemporary painters working in a super-realistic or hyper-realistic style are Richard Estes and .Life
At an early age, Haney’s family moved to Topeka, Kansas, where he spent his childhood and grew up. He received his B.F.A. from and M.F.A. from in Bloomington. While studying at Indiana, he was strongly influenced by the realist James McGarrell, along with other realists dating back to the Renaissance. He lived in New York City from 1972-1986, where he was employed as faculty at the and . After leaving New York, he moved to Louisville, Kentucky to become Chairperson of Fine Arts at . He died at age 53 in Louisville, Kentucky.Work
In New York City he was represented by the and James Yu Gallery. His art was purchased by many private collectors such as Malcolm Forbes 2., and museums and galleries such as the . Many of his paintings were sold during his lifetime; however, most of them remained till his death too and were later donated to in Topeka, Kansas. Reviews of Haney’s work have appeared in the New York Times, ', ', and Patterns Across Disciplines by Stuart Hirschberg 3. Photographs of his work have appeared in art magazines as well as 4. Selected exhibitions include: in New York City; ; , ; and , Topeka, KS, whose permanent collection includes Marry Off and Shut Off .