William Brodie
William Brodie, often known by his title of Deacon Brodie, was a Scottish cabinet-maker, deacon of a trades guild, and Edinburgh city councillor, who maintained a secret life as a burglar in order to support his mistresses and to fund a gambling addiction.
Life
William Brodie was the son of Francis Brodie, Convenor of Trades in Edinburgh. His father's eminent position allowed William to become the Deacon of Wrights and Masons around 1781.In 1774, Brodie's mother is listed as the head of household in their Edinburgh home on Brodie's Close on the Lawnmarket. The family are listed as "wrights and undertakers" on the Lawnmarket. By 1787 William Brodie is listed alone as a wright living at Brodie's Close. The house was built towards the foot of the close in 1570, on the south east side of an open court, by Edinburgh magistrate William Little, and the close was known as Little's Close until the 18th century.
With 'improvements' being made to Edinburgh, the mansion was demolished around 1835 and is now covered by Victoria Terrace.
By day, Brodie was a respectable tradesman and Deacon of the Incorporation of Wrights, which controlled the craft of cabinetmaking in Edinburgh, and this made him a member of the town council. Part of his work as a cabinetmaker was to install and repair locks and other security mechanisms. He socialised with the gentry of Edinburgh and met the poet Robert Burns and the painter Henry Raeburn. He was a member of the Edinburgh Cape Club
At night, however, Brodie became a burglar and thief. He used his daytime work as a way to gain knowledge about the security mechanisms of his customers and to copy their keys using wax impressions. As the foremost locksmith of the city, Brodie was asked to work in the houses of many of the richest members of Edinburgh society. He used the money he made dishonestly to maintain his second life, which included a gambling habit and five children by two mistresses, who did not know of each other and were unknown in the city.
He reputedly began his criminal career around 1768, when he copied keys to a bank door and stole £800, then enough to maintain a household for several years. In 1786 he recruited a gang of three thieves: John Brown, a thief on the run from a seven-year sentence of transportation; George Smith of Berkshire, a locksmith who ran a grocer's shop in the Cowgate; and Andrew Ainslie, a shoemaker. By 1785 Brodie was spending his evenings gambling at a tavern on Fleshmarket Close owned by a Mr Clark. But his public reputation was high, and in the summer of 1788 he was chosen to sit on a jury in the High Court.
Capture and trial
The case that led to Brodie's downfall began on 5 March 1788, when he organised an armed raid on the excise office in Chessels Court, on the Canongate. He had made a copy of the entry key using putty on an earlier visit and, having made a key, simply unlocked the door. Brodie was accompanied by Smith, Ainslie, and Brown. All were dressed in black, and Brodie and Brown each carried a pair of flintlock pistols. They began around 8pm. Brodie was in high spirits and singing numbers from The Beggars Opera. They knew that although the excise office was closed, the night watchman did not come until 10pm. On arrival at Chessels Court, Ainslie stood watch outside.The plan was disturbed when James Bonar returned to his office unexpectedly at 8.30 pm. The gang escaped with only £16. Brodie hurried home, changed into more normal clothes, and went to the house of his mistress Jean Watt, on Libertons Wynd, hoping to create an alibi.
On the same night, Brown approached the authorities to claim a King's Pardon, which had been offered after a previous robbery, and gave up the names of Smith and Ainslie. Brown also showed the authorities a cache of duplicate keys hidden under a stone at the base of Salisbury Crags.
Smith and Ainslie were arrested, and the next day Brodie attempted to visit them in prison but was refused.
Realising that he had flee, Brodie left Edinburgh on 9 March, arriving in London on 12 March. He was pursued by George Williamson, a King's Messenger, who wrongly assumed that Brodie would make for Dover in order to sail to the Continent. Having lost the trail in Dover, Williamson returned to Edinburgh. Meanwhile, Brodie was staying with an unnamed female friend in London. On 23 March, he boarded the Leith ship Endeavour, disguised as an elderly man in poor health under the name of John Dixon. The ship set sail for Edinburgh the following morning. But Brodie arranged to be disembarked instead in Flushing in the Netherlands, from where he travelled to Ostend. On the boat he had given several letters to a Mr Geddes to deliver to another of his mistresses, in Cant's Close in Edinburgh. Geddes was suspicious and gave the letters to the authorities in Edinburgh. Williamson resumed his pursuit and found Brodie in Amsterdam, where he was planning to flee to the United States. Brodie was returned to Edinburgh for trial.
The trial of Brodie and Smith started on 27 August 1788. At first there was no hard evidence against Brodie, although the tools of his criminal trade were found in his house and workshops. But with the evidence provided by Brown and Ainslie, who had been persuaded to turn King's Evidence, along with the self-incriminating lines in the letters Brodie had written while on the run, the jury found Brodie and Smith guilty.
Brodie and Smith were hanged at the Old Tolbooth, on the High Street, on 1 October 1788 before a crowd of 40,000, including Brodie's 10-year-old daughter, Cecil. The rope had to be adjusted in length three times as the bell of the adjacent St Giles Cathedral tolled.
According to one tale, Brodie wore a steel collar and silver tube to prevent the hanging from being fatal. It was said that he had bribed the hangman to ignore it and arranged for his body to be removed quickly in the hope that he could later be revived. If so, the plan failed. Brodie was buried in an unmarked grave in the northeast corner of the graveyard at St. Cuthbert's Chapel of Ease, on Chapel Street.
After the execution, reports of his being seen in Paris started to circulate, giving credence to the story of his escape from the gallows. But too many people had witnessed the execution for the story to be taken seriously.
Cultural references
Popular myth holds that Deacon Brodie built the first gallows in Edinburgh and was also its first victim. Of this, William Roughead in Classic Crimes states that after research, he was sure that although the Deacon may have had some hand in the design, "...it was certainly not of his construction, nor was he the first to benefit by its ingenuity".Robert Louis Stevenson, whose father owned furniture that had been made by Brodie, wrote a play entitled Deacon Brodie, or The Double Life, which was unsuccessful. However, Stevenson remained fascinated by the dichotomy between Brodie's respectable façade and his real nature, and this paradox inspired him to write the novella Strange Case of Dr Jekyll and Mr Hyde, which he published in 1886.
Deacon Brodie is commemorated by a pub of that name on Edinburgh's Royal Mile, on the corner of the Lawnmarket and Bank Street which leads down to the Mound; and a close off the Royal Mile, which contained his family residence and workshops, bears the name "Brodie's Close".
A further two pubs carry his name, one in New York City on the south side of the famous west side 46th Street Restaurant Row between Eighth and Ninth avenues, and the other in Ottawa, Canada on the corner of Elgin and Cooper.
The titular character of the novel The [Prime of Miss Jean Brodie (novel)|The Prime of Miss Jean Brodie] by the Scottish author Muriel Spark claims to be descended from Deacon Brodie. His double life serves as a metaphor for her duplicity, as well as her self-imposed demise. The novel has been adapted into a The Prime of Miss [Jean Brodie (play)|play], film, and television series.
In 1989, Bathgate rock band Goodbye Mr Mackenzie wrote and recorded a track titled "Here Comes Deacon Brodie", which appeared on the B-side to their hit "The Rattler".
The "Deacon Brodie" episode of the BBC One television drama anthology Screen One starred Billy Connolly as Brodie, aired on 8 March 1997, and was made in Edinburgh.
From 1976 to 1989, Deacon Brodie was a figure in the Chamber of Horrors section of the Edinburgh Wax Museum on the Royal Mile.