Wildlife Messengers
Wildlife Messengers is a 501(c)(3) nonprofit organization with the purpose of conserving wildlife and habitats through scientific research, on-the-ground action, and communication. These aims are archived by conducting studies in disciplines such as conservation genetics and biology, by working with local communities to develop sustainable livelihoods, by safeguarding traditional knowledge, and by making scientific and educational films, photographs, and audio recordings. Many of their projects take place in countries with lower industrial bases. Their communications target national and international audiences including government authorities, non-governmental organizations, educational institutions, local and indigenous communities, and global audiences.
The organization was started in 2017, after the founding scientists recognized the need for a stronger connection between academic research and public outreach, and a scientific input from nature conservation to filmmaking. Evaluating and publishing the impact of conservation films are among the goals of the non-profit. The directors have been also publishing in scientific peer-reviewed journals about global effects of habitat destruction to parrots, a flu-like illness transmission among wild bonobos, and effective population size estimates of swift parrots. The organization has produced several video abstracts to scientific studies including the population genetics of swift parrots, mowing for biodiversity, the global journey of storks, and the parrots of Oceania.
History
Before the establishment of Wildlife Messengers, all three co-founders had experiences with connecting media and conservation. They realized that there is a bridge between the scientific work and active conservation activities. Knowledge from scientific research should be conveyed not only to other scientists but also to general audiences and to decision makers in an understandable way. The first common project by Cintia Garai and George Olah was The Macaw Project documentary. This film was translated into many languages, screened in many different countries, and gained much public attention. Through recognizing the power of scientific documentaries and photography, and the effect each has on the broader public, and grounded on their common interest in wildlife conservation using scientific tools and the power of media, Cintia Garai, George Olah, and Robert Carrubba established the non-profit corporation Wildlife Messengers in 2017.Principles
Wildlife Messengers has the following code of conduct:Choosing ‘the right’ projects. Film projects are chosen based on their importance for conservation and whether a resultant film can actually contribute to decision making and protection. Many of the projects take place in countries with lower industrial bases and concern topics that are not considered ‘profitable’ by mainstream media.Scientific approach. When starting a project, thorough scientific background research is always conducted by reviewing the latest academic and environmental literature surrounding the topic, and by liaising with experts, local communities, decision makers, and other organizations. The aim is to understand as many aspects of a project's contexts as possible.Communicative conservation approach. The chosen projects are most in need of urgent conservation actions. The aim is to engage and educate viewers about facts and possible solutions surrounding these topics. Films need communicate the conservation facts interestingly.Inclusion of local communities. The participation of local communities is always prioritized during the preparation, filming, and postproduction stages of a project. Collaborative capacity building is one of the goals because it is the local communities that are the most impacted by conservation issues and decisions and their acts affect nature conservation in a direct way.Topic-appropriate filmography. To transmit the messages of local conservation issues, modern filming techniques are used to deliver great video quality, while videos taken by local people are also advocated. There are times when local footage obtained from a cell phone camera fits the goals better than arriving with a film crew. The aim is to document, but to not disturb.Targeting audiences. Messages are targeted and tailored to specific audiences, be it local communities, students, NGOs, or decision makers. The motivation and knowledge of an audience are considered, and also the message hoped to convey. When appropriate, different versions of a film are made to reach different audiences.Filmography
Ecoguardians of the Kahuzi-Biega National Park (2021)
The Kahuzi-Biega National Park, located in the South Kivu Province of the Democratic Republic of the Congo, was established in 1970, and became a World Heritage Site in 1980. It is managed by the Congolese Nature Conservation Institute, ICCN, which trains and employs eco-guards to care for the park. This film is a look at the men and women who make great sacrifices to protect something that most of us will never see, but from which all of us benefit.Many important and endemic characteristic species live here, including the Critically Endangered Eastern lowland gorilla, also known as the Grauer’s gorilla. Due to displacements during the Rwandan genocide, the First and Second Congo Wars from 1996 to 2003 and years of civil unrest, increasing human population in the region resulting in habitat loss and hunting, in 1997 the park was put on the ‘in danger’ list of World Heritage Sites. The Grauer’s gorilla was then thought to have been reduced from an estimated 16,900 individuals in the mid 1990s to only 3,800 individuals by 2016. In fact, the situation seems to be slightly better: according to a recent population estimate there could be 6,800 Grauer’s gorillas. The increased estimate should not change, however, the Critically Endangered status of this subspecies. To ensure the survival of these gorillas is one of the major challenges of the complex job that the ICCN eco-guards do every day.