Wies van Groningen
Louise Elisabeth van Groningen, was a Moluccan Dutch writer and story collector. She was active in the Black, migrant and refugee women's movement and in the Dutch Moluccan and Indonesian community. Her aim was to improve information for and about ZMV women. She wrote many stories about her ancestors, and encouraged Dutch Indonesian and Moluccan women and men to record the life stories of their ancestors.
Early life, education and family
Louise Elizabeth Metaal, was born on 15 March 1929 in Blangkejeren, Sumatra, in the Dutch East Indies, daughter of a Moluccan mother, Clara Hukom and a Dutch Royal Netherlands East Indies Army soldier, Barend Nicolaas Jacobus Metaal. She was the second in a family of four children. The family moved with her father's military job and they lived in Batavia, Tjimahi, and Bandung. In 1939, whilst on leave in the Netherlands, her parents decided that because of the impending war, her mother and the children would be better off staying in the Netherlands until her father had completed his last year of service in the East Indies. They settled in Delft, in South Holland. Then the Second World War broke out and Japan occupied the Dutch East Indies. Her father died as a prisoner of war in 1942 as a result of the Dutch East Indies campaign. The family assimilated into the local community in Delft, with little contact with other Moluccan people. The young Wies found this life very strict. At the age of 17, she was shocked to hear her mother speak Malay to some visitors, and didn't understand what she was saying.Wies Metaal earned an HBS-A degree and worked in the library of Delft University of Technology for a few years. She married Frans Popko van Groningen in 1953 and had four children. She took the name Wies van Groningen. She later attended the PABO-Beeldende Vorming and then taught at a number of primary schools in Utrecht before taking early retirement. In 1973 she travelled through Indonesia with her mother and recalled thinking "I know this, I'm home".
Women's movement: Black, migrant and refugee women
After her early retirement, van Groningen joined the Vrouwenbibliotheek Utrech in 1988. Here, she had a clear goal in mind: to improve the provision of information for and about Black, migrant and refugee women.She put significant effort into making the collection visible and accessible in the field of ZMVV women. She made many proposals for improving the Women's Thesaurus. In the field of white women's emancipation, this system was a huge improvement on ‘regular’ keyword systems, but often proved unsuitable for information about ZMV women. Wies was an active participant in the national working group working on improving the Women's Thesaurus, exposing blind spots and working to find solutions. She also ensured an increased budget for this part of the collection. She was a member of the supervisory committee of the International Information Centre and Archive for the Women's Movement 's project “Information on Black, Migrant and Refugee Women” from 1992 to 1995.
Writing and collecting stories
Wies van Groningen started writing at the age of 60. Awareness of what she described as her ‘double blood’, which she learnt about through stories from her mother, brought her into the Moluccan community in the 1990s. In 1992 she visited her mother's family home in Oma. She published her first collection in 1995, featuring stories from her mother, Clara Hukom. She elaborated the story further in her autobiographical story Is militair-is militair.Around 1998, Wies van Groningen switched from the Women's Library Utrecht, to Museum Maluku, the Moluccan Historical Museum. There, she focused on recording women's history, especially that of Moluccan women. In partnership with Christien Hetharia, she interviewed twenty Moluccan women, and published the interviews in Holland ligt niet dicht bij de hemel . The women interviewed were Susette Huwae, Coos Ayal, Jossy Keiluhu, Salomina Sapuletej-Lawalata, Anna Bathseba de Fretes-Rehatta, Netty Batawangge-Tamonob, Naomi Lawalata-Usmany, Augustien Souisa, Cisca Pattipilohy, Nona Matulessy, Annet Rahantoknam, Farida Pattisahusiwa, Colette Voorwinde, Fientje de Kock-Hully, Monica Akihary, Johanna Tomasowa-Tapilaha.
At the Moluccan Historical Museum, she was active in collecting stories of Moluccan women and men in a project called Meer dan een verhaal . A public appeal was made inviting people to send in short stories about their Moluccan grandparents. Many stories were submitted and two collections of short stories were published, Meer dan een verhaal and Luister naar mijn verhaal. In 2010, van Groningen led the publication of Pasar Cerita a new collection of stories with memories not only of Moluccans, but also of people from Indonesia and the Dutch East Indies.
Wies van Groningen continued to write into her 90s. Her last book, Vertellingen uit een koloniaal verleden, was published in 2021, a year before her death. In it she told the life story of her grandmother Louisa Hukom, who earned her living as a seamstress on the Maluku Islands after being abandoned by her husband. Louisa Hukom's life had previously been described in the story ‘De goede slang’ , by Dutch-Indonesian writer Maria Dermoût, whose family she had worked for.
Wies van Groningen spoke several times on Radio Oras, the Moluccan voice in Amsterdam and surroundings in 2021. One interview was repeated on 15 January 2023 following the announcement of her death.
Wies van Groningen died in IJsselstein on 30 December 2022.