Wheeler Winston Dixon


Wheeler Winston Dixon is an American filmmaker and scholar. His scholarship has particular emphasis on François Truffaut, Jean-Luc Godard, American experimental cinema and horror films. He has written extensively on numerous aspects of film, including his books A Short History of Film and A History of Horror. From 1999 through the end of 2014, he was co-editor, along with Gwendolyn Audrey Foster, of the Quarterly Review of Film and Video. In addition, he is notable as an experimental American filmmaker with films made over several decades, and the Museum of Modern Art exhibited his works in 2003. He taught at Rutgers University, The New School in New York, the University of Amsterdam in the Netherlands, and as of May 2020, is the James E. Ryan professor emeritus of film studies at the University of Nebraska–Lincoln.
WWW wheelerwinstondixon.com

Early years

Dixon was born in 1950 in New Brunswick, a city in New Jersey halfway between New York City and Philadelphia. He grew up in Highland Park, New Jersey, and graduated from Highland Park High School in 1968. In the late 1960s, he was a member of New York's "underground" experimental film scene while working as a writer for Life Magazine and Andy Warhol's Interview magazine. In 1970, he co-founded the musical group Figures of Light. In London, he participated in Arts Lab in Drury Lane, making and screening short films. Returning to the United States, he worked with an experimental Los Angeles-based video collective called TVTV. Dixon received a Ph.D. in English from Rutgers University in 1982.

Experimental films

During the course of several decades, Dixon made numerous experimental films. In 1991, along with filmmaker Gwendolyn Audrey Foster, he made a documentary entitled Women Who Made the Movies. In 1995, in France, he made a film entitled Squatters. In 2003, the Museum of Modern Art acquired all of his experimental films, including the following:Quick Constant and Solid Instant Madagascar, or, Caroline Kennedy's Sinful Life in London Serial Metaphysics What Can I Do?
His films have also been screened at the British Film Institute, the Whitney Museum of American Art, the Jewish Museum, The San Francisco Cinématheque, Arts Lab, The Collective for Living Cinema and The Kitchen Center for Experimental Art. In March and April 2018, along with Gwendolyn Audrey Foster, the BWA Contemporary Art Gallery in Katowice, Poland, presented a month long retrospective of Foster and Dixon's new video work. In May 2018, he presented a screening of his videos, along with the work of Gwendolyn Audrey Foster and Bill Domonkos at The Museum of Human Achievement in Austin, Texas. In the summer of 2018, he had a one-person show at Filmhuis Cavia in Amsterdam, and his "Catastrophe Series" of ten videos were screened as part of a group show at Studio 44 Gallery in Stockholm, Sweden. In the fall of 2018, he had a one-person show at La Lumière Collective in Montreal, Canada. In December 2018, he had a one-person show at Studio 44 in Stockholm, and a one-person show at the OT301 Gallery in Amsterdam. In January 2019, his complete video work was collected in the UCLA Film and Television Archive in Los Angeles. On June 23, 2019, he had an invited one person screening of his new digital video work at the Los Angeles Filmforum at the Spielberg Theater.

Scholarship and film criticism

Dixon writes extensively. He has published in Senses of Cinema, Cinéaste, Interview, Film Quarterly, Literature/Film Quarterly, Films in Review, Post Script, Journal of Film and Video, Film Criticism, New Orleans Review, Film International, Film and Philosophy and other journals. His book A History of Horror was reviewed by Martin A. David who criticized it as a compilation lacking a narrative structure, although David noted there were "generous and moving portraits" of horror masters such as Bela Lugosi, Boris Karloff, and Lon Chaney Jr. Dixon was quoted commenting on horror films, women directors, Hollywood film moguls, new technologies for delivering movies such as streaming and 3-D, and public relations of movie stars and directors. He has been quoted about the film business, such as discussing firms such as Miramax. His views have been quoted about particular movies. In addition, he has talked about late night television shows. He is regarded as an authority of future trends in filmmaking; for example, in 2013, he described the current decade as a "postfilmic era" when "movie film will no longer exist and all movies will be shot digitally". He predicts that film will cease to exist, since all movies will be digitally delivered to theaters. He has been critical of filmmakers such as Quentin Tarantino:
As a film historian, he wrote about the moguls of the 1950s:

In 2014, when computer hackers infiltrated Sony Pictures Entertainment, Dixon was quoted in the Los Angeles Times that the exposure of confidential studio emails and films served as a "wake-up call to the entire industry." In December 2015, he was quoted by Manohla Dargis in the New York Times on the demise of the DVD format, saying that "if you go on Amazon and you see some great black-and-white film, and it’s going for $3, or any kind of foreign or obscure film, buy it, because it’s going out of print, and they’re not going to put them back into print.”
In 2020, the New York Times interviewed Dixon on the new wave of horror films from Universal Studios, and why the more recent "Dark Universe" films were unsuccessful. Dixon noted that "there will be films about Dracula, Frankenstein, the Wolf Man, the Mummy, long after we’re gone. They’ll still be mining these things. But the ones that will be effective will be made by people who are sincerely invested in the material and treat these creatures with deadly seriousness."
In 2016, Dixon returned to experimental cinema working in HD video, with such films as An American Dream, Still Life, and Closed Circuit. From 2010 to 2020, he coordinated film studies at the University of Nebraska–Lincoln. He has also written extensively on the films of the late Robert Downey Sr.; Dixon and Downey were friends from the late 1960s up until Downey Sr.'s death in 2021. In 2022, Dixon participated in the BFI / Sight and Sound poll of the greatest films of all time, selecting Andy Warhol's The Chelsea Girls as his top pick. In October 2025, the fourth edition of his book A Short History of Film, co-written with Gwendolyn Audrey Foster, was published by Rutgers University Press.

Personal life

Dixon is the nephew of the artist Nina Barr Wheeler.

Publications

His books include:
  • Synthetic Cinema: The 21st Century Movie Machine
  • The Films of Terence Fisher: Hammer Horror and Beyond
  • A Brief History of Comic Book Movies, with Richard Graham
  • Hollywood in Crisis or: The Collapse of the Real
  • Black & White Cinema: A Short History
  • Dark Humor in Films of the 1960s
  • Cinema at The Margins
  • Streaming: Movies, Media and Instant Access
  • Death of the Moguls: The End of Classical Hollywood
  • 21st Century Hollywood: Movies in the Era of Transformation, with Gwendolyn Audrey Foster
  • A History of Horror
  • Film Noir and The Cinema of Paranoia
  • A Short History of Film, co-authored with Gwendolyn Audrey Foster
  • Film Talk: Directors at Work
  • Visions of Paradise: Images of Eden in the Cinema
  • American Cinema of the 1940s: Themes and Variations
  • Lost in the Fifties: Recovering Phantom Hollywood
  • Film and Television After 9/11 Visions of the Apocalypse: Spectacles of Destruction in American Cinema Straight: Constructions of Heterosexuality in the Cinema Experimental Cinema: The Film Reader, co-edited with Gwendolyn Audrey Foster.Disaster and Memory: Celebrity Culture and the Crisis of Hollywood Cinema The Exploding Eye: A Re-Visionary History of the American Experimental Cinema The Films of Jean-Luc Godard The Transparency of Spectacle: Meditations on the Moving Image It Looks at You: Notes on the Returned Gaze of Cinema Re-Viewing British Cinema: 1900-1992 The Early Film Criticism of François Truffaut
  • ''The Cinematic Vision of F. Scott Fitzgerald''

Filmography

Independent films

Wedding Quick Constant and Solid Instant The DC Five Memorial Film London Clouds Serial Metaphysics Waste Motion Tightrope Stargrove Gaze An Evening with Chris Jangaard Dana Can Deal Damage Un Petit Examen, and Not So Damned Petit Either, or, the Light Shining Over the Dark Madagascar, or, Caroline Kennedy's Sinful Life in London The Diaries Distance Women Who Made the Movies, co-directed with Gwendolyn Audrey FosterWhat Can I Do? Squatters An American Dream Summer Storm Still Life The Shapes of Things Closed Circuit City Lago di Garda
  • ''Acceleration''

Commercial films

Amazing World of Ghosts UFO Exclusive Mysteries from the Bible UFO: Top Secret Attack from Outer Space
  • ''World of Mystery''