Walter Wischniewsky
Walter Wischniewsky was a German film editor who worked on over a hundred productions during his career. Wischniewsky also sometimes worked as an assistant director. Wischniewsky began his career during the Nazi era, but most productions he worked on were post-Second World War. He edited several rubble films, including The Berliner. During the 1950s and 1960s he became one of the mainstays of German commercial cinema, working on the long-running Edgar Wallace and Karl May series. Wischniewsky edited Fritz Lang's Indian-shot The Indian Tomb and The Tiger of Eschnapur.
Selected filmography
The Empress's Favourite Talking About Jacqueline Between Hamburg and Haiti The Rothschilds Annelie 5 June Young Hearts Nora Das Mädchen Juanita King of Hearts Morituri The Berliner Anonymous Letters Martina Girls Behind Bars Nights on the Nile A Rare Lover Not Without Gisela The Sinful Border Cuba Cabana Holiday From Myself Homesick for You My Wife Is Being Stupid The Prince of Pappenheim Big City Secret Secretly Still and Quiet When the White Lilacs Bloom Again The Great Lola Clivia The Telephone Operator The Perfect Couple Ten on Every Finger Hotel Adlon Love, Dance and a Thousand Songs One Woman Is Not Enough? The Star of Rio The Bath in the Barn The [Count of Luxemburg (1957 film)|The Count of Luxemburg] Different from You and Me Precocious Youth Confess, Doctor Corda Munchhausen in Africa Voyage to Italy, Complete with Love Marili The Tiger of Eschnapur The Indian Tomb And That on Monday Morning Sweetheart of the Gods The Thousand Eyes of Dr. Mabuse It Can't [Always Be Caviar] This Time It Must Be Caviar Via Mala Doctor Sibelius The Terror of Doctor Mabuse The Secret of [the Black Trunk] Breakfast [in Bed (film)|Breakfast in Bed] Scotland Yard Hunts Dr. Mabuse The Curse of the Yellow Snake Breakfast in Bed The Strangler of Blackmoor Castle Freddy in the Wild West The Phantom of Soho The Seventh Victim The Treasure of the Aztecs The [Pyramid of the Sun God]- ''''