Chopin National Edition
The National Edition of the Works of Fryderyk Chopin, also known as the Chopin National Edition and
the Polish National Edition, is an urtext edition of the complete works by Frédéric Chopin, aiming to present his output in its authentic form.
Started by Jan Ekier in 1959, the entirety of Chopin's known works were published in 37 volumes from 1967 to 2010, accompanied by source and performance commentaries. The Chopin National Edition is considered the authoritative edition of Chopin's works, and is recommended to contestants of the International Chopin Piano Competition.
History
In 1959, Jan Ekier started the project of a new critical edition of Chopin's works, as he came to the conclusion that the prevailing Paderewski edition presented a "false image of Chopin's music in many aspects". The first volume of Ballades was published in 1967 by PWM Edition, featuring a minimalist design with white covers. A total of nine volumes were published up to 1991, with a publication rhythm that correlated to each edition of the quinquennial International Chopin Piano Competition.After the Revolutions of 1989, the edition was re-evaluated from a market perspective. While the first editions were typeset manually and accompanied by Polish commentary only, the new editions were typeset using SCORE, with bilingual annotations.
In 1998, Ekier established the Foundation for the National Edition of the Works of Fryderyk Chopin, for fundraising, research, publication and promotion of the National Edition. In 2004, he received a special award from the Minister of Culture of Poland, "in recognition of his outstanding contribution to the preservation and popularization of the legacy of Fryderyk Chopin, in particular for the monumental National Edition of his works, restoring to European culture the art of the great Polish composer in a form closest to its historical original."
The edition was completed in 2010, in time for the bicentenary of Chopin's birth.
Volumes
As an urtext, the Chopin National Edition aims to produce a musical text that adheres to the original notation and the composer's intentions. All extant sources were analyzed and verified for authenticity, mainly autographs, first editions with Chopin's corrections and pupils' copies with Chopin's annotations. Necessary editorial decisions are documented in each volume's source commentary. Additionally, a separate performance commentary documents cases where Chopin's notation may be misunderstood by contemporary pianists, such as realizations of ornaments and pedaling.The Chopin National Edition consists of 36 volumes in two series, for works published during Chopin's lifetime, and for works published posthumously. A 37th volume consists of compositions partly by Chopin, for instance his contribution to Hexaméron.
| No. | Cat. | Contents | |
| 1 | A I | Ballades | |
| 2 | A II | Études | |
| 3 | A III | Impromptus | |
| 4 | A IV | Mazurkas | |
| 5 | A V | Nocturnes | |
| 6 | A VI | Polonaises | |
| 7 | A VII | Preludes | |
| 8 | A VIII | Rondos | |
| 9 | A IX | Scherzos | |
| 10 | A X | Sonatas | |
| 11 | A XI | Waltzes | |
| 12 | A XII | Various Works | |
| 13 | A XIIIa | Piano Concerto No. 1 | |
| 14 | A XIIIb | Piano Concerto No. 2 | |
| 15 | A XIVa | Concert works for piano and orchestra | |
| 16 | A XIVb | Andante spianato et grande polonaise brillante | |
| 17 | A XVa | Variations on "Là ci darem la mano" | |
| 18 | A XVb | Piano Concerto No. 1 | |
| 19 | A XVc | Fantasy on Polish Airs | |
| 20 | A XVd | Rondo à la Krakowiak | |
| 21 | A XVe | Piano Concerto No. 2 | |
| 22 | A XVf | Andante spianato et grande polonaise brillante | |
| 23 | A XVI | Works for Piano and Cello | |
| 24 | A XVII | Piano Trio |
| No. | Cat. | Contents | |
| 25 | B I | Mazurkas | |
| 26 | B II | Polonaises | |
| 27 | B III | Waltzes | |
| 28 | B IV | Various Works | |
| 29 | B V | Various Compositions | |
| 30 | B VIa | Piano Concerto No. 1 | |
| 31 | B VIb | Piano Concerto No. 2 | |
| 32 | B VII | Concert works for piano and orchestra | |
| 33 | B VIIIa | Piano Concerto No. 1 | |
| 34 | B VIIIb | Piano Concerto No. 2 | |
| 35 | B IX | Rondo in C for two pianos, Variations in D for four hands | |
| 36 | B X | Songs |
Catalogue (WN)
The edition provides a new numbering scheme for works published after Chopin's death, similar to existing catalogues by Maurice J. E. Brown and Krystyna Kobylańska. Some works have opus numbers assigned after Chopin's death by Julian Fontana, who grouped a number of unpublished piano pieces into eight opus numbers, and seventeen songs for voice and piano into a ninth.| WN | Title | Op. | Completion date | First edition |
| 1 | Polonaise in B-flat major | 1817 | 1910 | |
| 2 | Polonaise in G minor | 1817 | 1947 | |
| 3 | Polonaise in A-flat major | 1821 | 1908 | |
| 4 | Polonaise in G-sharp minor | 1824 | 1864 | |
| 5 | Variations in D major for 4 hands | 1824–1826 | 1965 | |
| 6 | Variations in E major | 1824 | 1851 | |
| 7 | Mazurka in B-flat major | 1826 | 1851 | |
| 8 | Mazurka in G major | 1826 | 1851 | |
| 9 | Funeral march in C minor | 72 No. 2 | 1826 | 1855 |
| 10 | Polonaise in B-flat minor | 1826 | 1881 | |
| 11 | Polonaise in D minor | 71 No. 1 | 1825–1827 | 1855 |
| 12 | Polonaise in F minor | 71 No. 3 | 1826–1828 | 1855 |
| 13 |
|
| 1826 | 1855 |
| 14 | Mazurka in A minor | 68 No. 2 | 1827 | 1855 |
| Sonata in C minor | 1827/28 | 1851 | ||
| 15 | Rondo in C major for 2 pianos | 73 | 1828 | 1855 |
| 16 | Warianty | 1829 | 1881 | |
| 17 | Polonaise in B-flat major | 71 No. 2 | 1829 | 1855 |
| 17a | Mazurka in G major | 1829 | ||
| 18 | Waltz in E major | 1829 | 1861 | |
| 19 | Waltz in B minor | 69 No. 2 | 1829 | 1852 |
| 20 | Waltz in D-flat major | 70 No. 3 | 1829 | 1855 |
| 21 | "Życzenie" | 74 No. 1 | about 1829 | 1857 |
| 22 | "Gdzie lubi" | 74 No. 5 | about 1829 | 1859 |
| 23 | Nocturne in E minor | 72 No. 1 | 1827–1830 | 1855 |
| 24 | Mazurka in C major | 68 No. 1 | 1830 | 1855 |
| 25 | Mazurka in F major | 68 No. 3 | 1830 | 1855 |
| 26 | Mazurka in G major | 67 No. 1 | 1830 | 1855 |
| 27 | Contredans | 1830 | 1948 | |
| 28 | Waltz in A-flat major | 1829–1830 | 1902 | |
| 29 | Waltz in E minor | 1830 | 1868 | |
| 30 | "Poseł" | 74 No. 7 | 1830 | 1859 |
| 31 | "Czary" | 1830 | 1951 | |
| 32 | "Hulanka" | 74 No. 4 | 1830 | 1859 |
| 33 | "Precz z moich oczu" | 74 No. 6 | 1830 | 1853 |
| 34 | "Wojak" | 74 No. 10 | 1830 | 1857 |
| 35 | Polonaise in G-flat major | 1830 | 1869-70 | |
| 36 | 1829–1831 | 1990 | ||
| 37 | Lento con gran espressione | 1830 | 1875 | |
| 38 | "Piosnka litewska" | 74 No. 16 | 1830 | 1859 |
| 39 | "Smutna rzeka" | 74 No. 3 | 1831 | 1859 |
| 40 | "Narzeczony" | 74 No. 15 | 1831 | 1859 |
| 41 | Mazurka in B-flat major | 1832 | 1953 | |
| 42 | Waltz in G-flat major | 70 No. 1 | 1832 | 1855 |
| 43 | Cantabile | 1834 | 1955 | |
| 44 | Presto con leggierezza | 1834 | 1919 | |
| 45 | Mazurka in A-flat major | 1834 | 1930 | |
| 46 | Impromptu in C-sharp minor | 66 | about 1834 | 1855 |
| 47 | Waltz in A-flat major | 69 No. 1 | 1835 | 1855 |
| 48 | Mazurka in C major | 67 No. 3 | 1835 | 1855 |
| 49 | "Leci liście z drzewa" | 74 No. 17 | 1836 | 1873 |
| 50 | "Pierścień" | 74 No. 14 | 1836 | 1859 |
| 51 | "Moja pieszczotka" | 74 No. 12 | 1837 | 1859 |
| 52 | "Wiosna" | 74 No. 2 | 1838 | 1859 |
| 52a | "Wiosna" for piano | 1838 | 1990 | |
| 53 | Sostenuto | 1840 | 1955 | |
| 54 | "Śliczny chłopiec" | 74 No. 8 | 1841 | 1859 |
| 55 | Waltz F minor | 70 No. 2 | 1841 | 1852 |
| 56 | Moderato | 1843 | 1912 | |
| 57 | "Nie ma, czego trzeba" | 74 No. 13 | 1845 | 1859 |
| 58 | "Dwojaki koniec" | 74 No. 11 | 1845 | 1859 |
| 59 | Gallop Marquis | 1846-47 | 1990 | |
| 60 | Mazurka in A minor | 67 No. 4 | 1846-47 | 1855 |
| 61 | "Z gór, gdzie dźwigali" <"Melodia"> | 74 No. 9 | 1847 | 1859 |
| 62 | Nocturne in C minor | 1847–1848 | 1938 | |
| 63 | Waltz in A minor | 1847–1849 | 1955 | |
| 64 | Mazurka in G minor | 67 No. 2 | 1848–1849 | 1855 |
| 65 | Mazurka in F minor | 68 No. 4 | 1849 | 1855 1965 |