Wünschelrute
"Wünschelrute" is one of the most famous poems by Joseph Freiherr von Eichendorff, major poet of the German Hochromantik.
Versification
| Rhyming syllables | Rhyme scheme |
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Literary-historical classifications
Timeframe
It was written 1835, probably in Berlin, and published 1838 in Deutschen Musenalmanach.Titling
The word component Wünschel is a typic Silesian diminutive form of the German noun Wunsch. The other combining word component is -Rute. The connotation of Wünschelrute corresponds perfectly with the inner motif of longing throughout his work, as Natias Neutert points out. insofar „some kind of watermarking of his poetry flow“.Imaginable stimulus
Whether Eichendorff knew it or not, is not assured: «Wünschelruthe»was the name of a literary magazine with the subtitle Ein Zeitblatt, published twice weekly from January to June 1818 in Göttingen in the times of High Romantics. Edited in the name of a student poet circle, named «Poetische Schusterinnung an der Leine» by Heinrich Straube and Johann Peter von Horn Thal, son of the mayor of Bamberg.
Other contributors were Achim von Arnim, Clemens Brentano, Brothers Grimm, Jacob and Wilhelm Grimm, Ernst Moritz Arndt 1769–1860, and some professors and students of the local university. The magazine contained mainly literary texts, poems and stories, and announcements about the literary scene. Focussed on folk song and saga.
It might well be that Eichendorff read it.
Real object, poetical subject
The namegiver of Eichendorff’s poem is the wooden dowsing rod, an instrument used to locate ground water, oil, buried metals or ores, gemstones and many other objects and materials without the use of scientific apparatus. Dowsing is also seen as divining; especially in reference to interpretation of results.Eichendorff used the real Wünschelrute as a metaphor for the faculty of imagination and the "witchcraft" or "magic powers" of poetry. The poet’s relationship to nature is such as those of a singer who has to seek for the hitting word to strike the right note, as Günther Schiwy, holder of the Eichendorff-Medal, characterized it. Neutert marked the poem, by analogy to the magnetic field intensity, as a creation full of „magic field intensity.“