Vladimir (Waiting for Godot)
Vladimir is one of the two main characters from Samuel Beckett's Waiting for Godot. In the play, the other main character, Estragon, calls him Didi, while a boy calls him Mister Albert. Vladimir, like Estragon, is a tramp.
Personality
The "optimist" of Godot, he represents the intellectual side of the two main characters. One explanation of this intellectualism is that he was once a philosopher. This would explain his constant references and his attempts to engage Estragon in philosophical and religious debate.Vladimir is deeply concerned with appearances and goes to great lengths to make sure Estragon behaves so that his own dignity is preserved. He is something of a pack rat: he carries all the food the tramps have, and has other "miscellaneous" junk in various pockets. Another important prop is his bowler hat. He claims that it "hurts" him, and is eventually driven to appropriate Lucky's. After long periods of thought he fiddles with it and plays with the brim. This hat focus may be interpreted as being representative of his higher status and his intellectual nature: because of this, he is usually taller than Estragon, but this is a convention of the theatre and is not written in the play.
Despite this sometimes peevish and obsessive nature, Vladimir would seem to have a carnal side. He suffers from a venereal disease that causes him pain in his genitals and a need to urinate when he laughs. This might indicate a sexual past: he refers to a woman he knew who "had the clap"...although it is unclear whether this is the cause of his current condition or not.
Vladimir has the only social conscience in the play, and it seems that he cares a great deal for the plight of his fellow man: he expresses outrage at Pozzo's treatment of his slave, Lucky, and acts as something of a parental figure to the sometimes childish Estragon. This is not to say Vladimir does not suffer from his own emotional tics. He hates dreams, as they represent a cruel false hope, and he is unable to cope with Estragon's logic, the simplicity of which throws him off. He also does not suffer fools well: Pozzo's decadence and Estragon's crudeness give him much cause for indignation.