Viola Farber


Viola Farber was an American choreographer and dancer.

Biography

Viola Farber was born on February 25, 1931, in Heidelberg, Germany. In Germany, Farber began dancing. However, at the age of six she was discouraged by her parents. At the age of seven, Farber and her family moved to the United States. Even though her parents did not allow her to dance, Farber continued dancing on her own, though she focused more of her energy on learning to play the piano. During the one year that Farber spent at the University of Illinois studying music, she began taking dance classes from Margaret Erlanger. When Farber transferred to George Washington University, she focused on both music and dance. By 1952, Farber had transferred once again, to Black Mountain College was dance with Katherine Litz and music with Lou Harrison.
In 1953, Farber became a founding member of the Merce Cunningham Dance Company. She created many roles in Cunningham's works, such as Crises, Paired Rune, and Nocturne. Farber is described as being “one of the great individualists of the company”. At this time, she also took various dance classes from Margaret Craske and Alfred Corvino in New York, and from Erika Thimey in Washington, D.C. Additionally, Farber was dancing with other choreographers. She performed the role of the vampire in Litz's Dracula as well as dancing with Paul Taylor's early company. Farber was the only female pianist in the first performance of Erik Satie's Vexations. In 1965, she left Cunningham's company and in 1968, began her own company.

Viola Farber’s Dance Company and style

Through having her own dance company, The Viola Farber Dance Company, Farber developed her own signature dance style. She often used improvisation in her rehearsals and in some of her first works. She allowed her dancers to rearrange and reshape the movement, however she set explicit limits. Her dancers were allowed to do whatever they wanted ”. Farber would almost ask dancers to manipulate the phrase and provided cues for beginning different sections. Although, these cues were never related to the music. Jeff Slayton, a member of the company and Farber’s longtime partner and ex-husband, commented that “if a dance had internal or set musical cues, we changed the music”. Her work challenged audiences and was often found compelling. The pieces Poor Eddie and Willi I were described as sadomasochistic, while No Super, No Boiler and Lead Us Not into Penn Station had humorous themes, and Dune and Nightshade had quiet themes. Most of the Farber's pieces were set to original scores, or were performed in silence. However, a few of her pieces were choreographed to classical music. For example, Nightshade was set to Beethoven's Piano Sonata No. 14.
Farber died on December 24, 1998, in Bronxville, New York.

Works

Choreography by Viola Farber for Viola Farber Dance Company

1968Excerpt
1969Duet For Mirjam and JeffQuota Passage Standby  
1970TendencyArea CodeCurriculumCo-OpMildred
1971SurveyPatience
1972DefaultRoute 6DunePoor Eddie
1973SoupSpare Change
1974Willi ISome of the SymptomsDinosaur PartsNo Super, No BoilerDefendantHouseguest
1975Motorcycle/BoatNight ShadeDuet For Willi and Susan
1976Five Works For SneakersSome Things I Can RememberSunday Afternoon
1977Brazos River Lead Us Not Into Penn StationSolo
1978TurfDoublewalkPrivate RelationsDandelionLocal
1979DuetLedgeTide
1980TracksBright Stream
1981
  • ''Bequest''

Choreography for Viola Farber Dance Company while in residency at Le Centre National de Dance Contemporaine d’Angers (The French National Center for Contemporary Dance) 1981-1983

1981Cinq Pour DixAttenteVilla-Duage
1982EtudesEchanges
1983
  • ''Écritures Sur L’Eau''

Other works choreographed by Viola Farber

1965Seconds
1965Notebook
1968Time Out Legacy
1969Tristan and Iseult The Music of Conlon Nancarrow
1970Passengers
1971Pop. 18 Pop. 11 Five In The Morning
1972Window
1973Untitled Work
1975Minnesota Mash
1976Untitled Work Temporary Site
1977Autumn Fields Untitled Work Transfer
1979Jeux Choréographique Clearing
1980Untitled Work Just Correspondence
1981Tea For Three Untitled Work Untitled Work
1982Meanwhile Back In the City
1983Untitled Work
1984Last Waltz Day’s Return Venom and Antidotes Autumn Edge
1985January –
1987Bank Holiday Passing Winter Rumors Take-Away Preludes
1988Preludes
1989Last Call
1992Ainsi de Suite
1994Threestep –
  • ''It’s Been A While''

Notable projects

Teaching career