VestAndPage


VestAndPage is an artist duo founded in 2006 by Verena Stenke and Andrea Pagnes, working in contemporary performance art, visual art, and film. Their work is positioned within the social, political and environmental context of spherology, fragility, memory activation and communication, with a strong influence of the artists’ backgrounds in philosophy and theatre. They present meditative and ritualistic performances that challenge impermanence, transformation and self-awareness.
Over the past years they have presented their work extensively in Europe, Asia, North America, South America and Australia. They work in extensive collaborations in what they call "collective performance operas", and create "temporary artistic communities".
An untitled controversial work presented in Singapore in 2011, involves the couple drinking Pagnes' blood. The artist stated in an interview that blood is "the purest part of me", and that "I am using drops of my soul to say something."

Life and education

Verena Stenke is trained in theatre, martial arts, contemporary dance, and holds qualifications as special effects make-up artist and mask maker. She studied Oriental and Social Theatre. She lived in Berlin, and moved to Florence in 2006.
Andrea Pagnes holds degrees in Modern Literature and Philosophy, certificates of high studies in Museology, Art critic, and Creative writing, and obtained the diploma of Social Theatre actor and operator. He has been working as independent curator, writer, painter, and glass sculptor. He founded cultural magazines, and has been artistic director of a Murano glass factory. He has translated among others Jurassic Park into Italian, and lived in Venice and Florence.
Verena Stenke and Andrea Pagnes are married, and currently living in Baden-Württemberg, Germany and Venice.

Major works and projects

Film

''sin∞fin The Movie''

Between 2010 and 2012, VestAndPage produced the experimental film trilogy sin∞fin The Movie in Antarctica, India, Kashmir, Patagonia and Tierra del Fuego, combining performance art with filmmaking.
Teetering between the real and the visionary, the films feature the two protagonists undertaking surreal and ephemeral acts. Amplified by the unfamiliar environments, the performances reflect on universal human experiences such as altruism, partnership and the transient nature of existence. The first episode "Performances at the End of the World", thematically focuses on the intimate, inner domain of the individual and the couple. The second episode "Performances at the Holy Centre" highlights the topic of society and religion. The concluding episode "Performances at the Core of the Looking-Glass", engages with narratives on nature and the universe.
The first episode has been produced at artist-in-residence at CONFL!CTA Contemporary Art and Science Research, Punta Arenas and Tierra del Fuego in December 2010. The second episode has been realized during the artist-in-residence at The Sarai Programme at CSDS, New Delhi, in March/April 2011.
The third episode has been produced as part of the cultural program of the National Antarctic Direction, Argentina, on the Antarctic stations Carlini and Esperanza Base in January and February 2012.

''Plantain''

In 2015, VestAndPage produced the performance-based feature film Plantain in Germany, Poland and Kaliningrad Oblast, Russia. Filmed on location during the artist duo's month-long performance walk, the project takes a private family story and the historical event of post-WWII displacements as starting points. The artists walked, performed and filmed along the route of war escape of Stenke's ancestors upon the evacuation of East Prussia in winter 1945, in the civil exodus along the Baltic Sea to Northern Germany. Referenced through the performance-walk in real time, the film connects in a layering of histories, people, and personal memories, the intangible and ineffable of a past which has been lived by another generation with a present feeling of guilt.

Long durational performances

''Plantain''

From May 8, 2015 on – marking the end of WWII in Europe on its 70th anniversary – VestAndPage walked by foot in a month-long performance the path of war exodus that Stenke's family went 70 years before from East Prussia to Northern Germany, this time in the opposite direction: 1110 kilometres from Hemmingstedt, Germany, to Chernyakhovsk in the Russian Kaliningrad Oblast. Along the way, the artist realised and filmed site-responsive performances, and collected film and text material on location of true events such as the Castle Insterburg, the Vistula Lagoon, or the former Stutthof concentration camp and seaplane base Kamp. The long durational performance project resulted in a feature-length film.

''Fear vs Love vs Fear''

The 24-hour performance Fear vs Love vs Fear was presented as part of the curatorial project Proyecto Liquido by Alumnos47 Foundation, June 2012. The artists inhabited an empty house in San Miguel Chapultepec, Mexico City and performed inside for 24 hours, with the public free to enter and exit at any time. The body-based actions explored origins and effects of love and fear, being individual or collective, and works on memory associations. In preparation to the live performance, Stenke and Pagnes had previously worked with a group of street girls in Mexico City to understand their fears, desires, and dreams. The text, image and video material produced by the girls during this workshop became part of the performance installation in the house.

''Without Tuition or Restraint''

Without Tuition or Restraint is a long durational performance of five days and four nights. It took place at The Exchange and Newlyn Gallery in Penzance, as part of the exhibition Performance Transition in November 2011. The couple has been closed inside and didn't exit the gallery for five days and four nights consecutively. During this period Andrea Pagnes lived inside a dog crate, while Verena Stenke inside the gallery space executed one repetitive action each day. The performance questions concepts of freedom, and limits between private and social spheres.

''Speak That I Can See You''

Speak That I Can See You is the first performance of Stenke's and Pagnes' debut as VestAndPage. The interactive piece won the ArtKontakt Prize in 2007. Since then the performance has been presented on several occasions, among others at the Kosovo Art Gallery, Pristina ; Fondaco dell’Arte, Venice ; XIV Biennial of Young Artists from Europe and the Mediterranean, Skopje ; Fábrica de Braço de Prata, Lisbon ; PingPong Artspace, Taipei ; London Art Fair, London. In the installation set of medical surgery videos and a soundtrack of voices speaking about fear in three languages, Stenke invites audience members to participate in a ritual. Pagnes' back is offered as a living canvas for the audience to express their thoughts by writing with effect powder, water, and feathers or nails on his skin.

Performance cycles

''HOME'' Cycle

HOME is a live performance cycle of collective performance operas started by VestAndPage in 2017. Stations of the performance are along the border of the European Union in countries that all have to find a way to deal with the wave of immigration, including Reggello, Italy; Thessaloniki, Greece; KPGT, Belgrade, Serbia; Palazzo Mora, Venice, Italy; National Gallery of Arts, Sopot, Poland; Triennale Ostend, Belgium; Günther Domenig Steinhaus, Austria. The artists inquire into the concepts of home, Heimat, community and sites of belonging. The single chapters are developed together with other artists and presented as final collective performance operas.

''AEGIS'' Cycle

AEGIS is a live performance cycle in six parts, developed and presented with the collaboration of other artists in the years 2016 and 2017 in Santiago de Chile; Alt, Istanbul; Grace Exhibition Space, New York City; UKK, Uppsala; Piotrków Trybunalski and at the State Museum of Contemporary Art, Thessaloniki. The work questions artistically the protective qualities of living matter, defence functions, shielding systems, and aspects of security, questioning what are valuable and timeless protections and safeties. In each chapter, the bodily symbolic acts of the artists are accompanied by the reading of the Universal Declaration of Human Rights in the language of the place. Recordings of the Declaration produced for the performance are available for free public domain audio download in English, German, Italian, Spanish, Russian, Turkish, Swedish, Polish and Greek language from the artists' website.

''DYAD'' Cycle

DYAD is a live performance cycle in nine parts, developed and presented in 2014/2015 at hub14, Toronto; Arti et Amicitiae, Amsterdam; Teatar &TD, Zagreb; Museum der bildenden Künste, Leipzig; Hermann Brehmer Sanatorium, Sokołowsko; Arnolfini, Bristol; Peacock Visual Arts, Aberdeen; and closed in a 15-hour durational performance in Moscow. The work looks into the dangers of dichotomy, attachments to dualism, and the paradox of Ego. Through a series of poetic bodily images, the artists question how polarities are being employed as tools of ideology, propaganda or collective manipulation. Each episode starts with a quote from Genesis 7.2 and a physical fight between the artists dressed as a mouse and a rabbit.

''Thou Twin of Slumber'' Cycle

Thou Twin of Slumber is a performance cycle in eight parts. It has been produced and presented through the year 2013 at Cyclorama – Boston Centre for the Arts, Boston; Kasteliotissa, Nicosia; Grace Exhibition Space, New York City; Defibrillator Gallery, Chicago; VIVO Media Arts Centre, Vancouver; Museo Universitario del Chopo, Mexico City; and Taidehalli, Helsinki.
The work looks into death, sleep and slumber through liminal spaces, and is theoretically inspired by two figures of Greek mythology, the twin brothers Thanatos and Hypnos. In the performances of this cycle, Pagnes repeatedly works on broken glass and mirror pieces, while Stenke decontextualizes movement.