Vermeil Room
The Vermeil Room is located on the ground floor of the White House, the official residence of the president of the United States. The room houses a collection of silver-gilt or vermeil tableware, a 1956 bequest to the White House by Margaret Thompson Biddle. Portraits of American First Ladies hang in the room.
McKim creates the Social Room for Theodore Roosevelt
The Vermeil Room was originally a staff work room used for storage and later for polishing silver. Theodore Roosevelt's 1902 renovation of the White House by architect Charles Follen McKim reconfigured the use of the house, finishing much of the ground floor for public use. When first furnished for public use, the room was termed the Social Room because it served as a lounge adjacent to a women's restroom. McKim provided the room with late Georgian-style cove moldings and a paneled wainscot. On the west wall, McKim installed a Colonial Revival mantel with paired Tuscan Doric columns and bas-relief medallions with American eagles similar to the one found in the seal of the president of the United States. A pair of built-in arched cupboards flanked the mantel.Truman reconstruction
The Truman reconstruction of the White House in 1952 replaced the 1815 pine beams installed during the reconstruction of the house after its burning by the British in 1814. President Harry S. Truman had the ancient beams sawn and installed as paneling in the Vermeil Room, China Room, and Library. The style of wall paneling and bracketed molding installed during the Truman reconstruction were based on a Georgian period model, contemporary with the design of the White House exterior. They were initially left unpainted, showing their grain and knots, a look popular in the 1950s.Margaret Thompson Biddle's bequest
Margaret Thompson Biddle's collection was significant and ranged from Renaissance to 19th-century French and English pieces. The collection includes work by English Regency silversmith Paul Storr as well as French Empire silversmiths, Pierre-Philippe Thomire and Jean-Baptiste-Claude Odiot. First Lady Mamie Eisenhower had the collection displayed in the room's glass-enclosed vitrines.Biddle was the daughter of William Boyce Thompson and the wife of A. J. Drexel Biddle, Jr.
Kennedy use and redecoration
At first, the collection was only displayed in the Vermeil Room in a museum-like setting. First Lady Jacqueline Kennedy, on the recommendation of her friend Rachel Lambert Mellon, began using the collection for the display of flowers and fruit in the rooms on the state floor.During the Kennedy White House restoration, interior designer Stéphane Boudin proposed painting the room in a style used in 17th and 18th century England and Normandy. Boudin had used a similar treatment in the Blue Bedroom at Leeds Castle in Kent, England. Rather than attempting to putty and polish the rough-sawn timbers, he highlighted the porous texture of the paneling. The walls were rubbed with wire brushes to bring up the grain and create an "aged" surface. Next, a solid coat of off-white paint was applied, followed by a "dragged" coating of blue paint. This was sealed using a bar of wax dabbed in pure dry blue pigment, and finally, the surface was lightly distressed to tiny specks of white in the underlying base coat.
The interior of the shelves displaying the vermeil was covered in white velvet. One of two neoclassical caryatid mantels was installed. White damask drapes were made with blue and off-white fringe trim. A finely patterned blue and white carpet was installed and a large center table was created with a custom-dyed blue velvet cloth not delivered until the Johnson years. A gilded chandelier, referring to the vermeil collection, was installed. The result was a gallery room, not a sitting room. The White House: An Historic Guide shows an architectural cross-section of Boudin's blue Vermeil Room.