Val Williams


Val Williams is a British curator and author who has become an authority on British photography. She is the Professor of the History and Culture of Photography at the London College of Communication, part of the University of the Arts London, and was formerly the Curator of Exhibitions and Collections at the Hasselblad Center.

Life and work

Williams has curated the work of Martin Parr and Daniel Meadows. She "has championed Meadows' work for years even as most British institutions have ignored it". Williams curated the influential Tate Britain show How We Are: Photographing Britain. She has also written on the representation of women, and work by women photographers. She co-founded PARC, the Photography and the Archive Research Centre in 2003. Her archive was held at the Library of Birmingham but moved to the Martin Parr Foundation in Bristol in 2018.

Exhibitions curated

  • How We Are: Photographing Britain, Tate Britain, London, 2007. Curated by Williams and Susan Bright.
  • Soho Nights, The Photographers' Gallery, London, 2008/2009. Curated by Williams and Bob Pullen. "Part of an ongoing series of linked exhibitions taken from the gallery's archives."

Publications

Books by Williams

Books edited by Williams

  • Daniel Meadows. National Portraits: Photographs from the 1970s. Edited by Williams. Salford: Viewpoint Photography Gallery; Derby: Montage Gallery, 1997..
  • Look at Me: Fashion and Photography in Britain 1960-1997. Edited by Williams. London: British Council, 1998.. Catalogue of a touring exhibition curated by Williams and Brett Rodgers.
  • Magnum Ireland. London: Thames & Hudson, 2005.. Edited by Williams with Brigitte Lardinois. Anna Fox Photographs 1983–2007. Brighton: Photoworks, 2005.. Edited by Williams. With texts by David Chandler, Val Williams, Jason Evans and Mieke Bal.
  • How We Are: Photographing Britain from the 1840s to the Present. Edited and with texts by Williams and Susan Bright. London: Tate, 2007.. With essays by Gerry Badger and Martin Parr, and by Kevin Jackson.
  • Glyndebourne, a Visual History. London: Quercus, 2009.. Edited by Williams and Brigitte Lardinois. Includes an essay by George Christie.