Vachaspati (raga)
Vachaspati is a rāgam in Carnatic music. It is the 64th melakarta rāgam in the 72 melakarta rāgam system. It is known as Bhushāvati according to the Muthuswami Dikshitar school. It was borrowed into Hindustani music, like many other ragas from Carnatic rāgams.
Structure and Lakshana
It is the 4th rāgam in the 11th chakra Rudra. The mnemonic name is Rudra-Bhu. The mnemonic phrase is sa ri gu mi pa dhi ni. Its structure is as follows :- [Arohana|]:
- [Avarohana|]:
''Janya'' rāgams
It has many janya rāgams associated with it, out of which Bhooshavali and Saraswathi are popular. See List of janya rāgams for all scales associated with Vachaspati.Popular compositions
Vachaspati is close to Kalyani and differs only in the nishādham. Still, this rāgam does not have many compositions. At the same time many composers have used this rāgam for composing 1 song each.Popular compositions in this rāgam are
- Pahi Jaga Janani by Swati Tirunal
- Kantajoodumi and Pariyachakama Mata by Thyagaraja
- Abhirami Akila Buvana, Parvathishwarena and Bhushavathim Manju Bhashavathim by Muthuswami Dikshitar
- Paraatparaa by Papanasam Sivan
- Sahasrakara Mandithe by Muthiah Bhagavatar
- Ennaadu Ni Kripa by Patnam Subramania Iyer.
- Râjarâjeswari - Padavarnam by Kalyani Varadarajan
- Shri Sachidananda Kandam by Meesu Krishna Iyer
- Ennathai Sonnalum by Oothukkadu Venkata Kavi
- Ihapara Sukha Dayaka by Koteeswara Iyer
- Antharangamellam Ariyayo by Shuddhananda Bharati
- Nutintu Sadambuja by Dr M. Balamuralikrishna
- Veru Thunai by Ramaswamy Sivan
- ADAda Manam ADum by Neela Ramamurthy
- dEvi JaganmOhini by Neela Ramamurthy
- shrIpatE Jaya by Thulaseevanam
- Pachai Nayaki Paksham Vaithu Endhan by D.Pattammal
- Vandanamu - Thanavarnam by Tiger Varadachariar
- Velanidam Poi Solladi - Padavarnam by T Sethuram
- Vachaspati - Thanavarnam by Nallan Chakravarthy Murthy
Related rāgams
This section covers the theoretical and scientific aspect of this rāgam.Vachaspati's notes when shifted using Graha bhedam, yields 3 other major melakarta rāgams, namely, Charukesi, Gourimanohari and Natakapriya. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the Shadjam to the next note in the rāgam. For further details and an illustration refer Graha bhedam of Vachaspati.
Vachaspati corresponds to the Acoustic scale in Western music.