The Second Rondino is in C-sharp minor and is marked Vivace.
Reception
characterizes the Two Rondinos as "closely related ... in character" to the Three Sonatinas for solo piano from the same year, and as such, he endorses as "highly probable" the musiclexicographer and criticEric Blom's speculation that the rondinos might have originated as movements for an incomplete fourth sonatina, with the First Rondo serving as a central slow movement and the Second Rondino as "delightful finale."