Tomb of the Roman Soldier
The Tomb of the Roman Soldier, also called the Tomb of the Soldier, is one of the best-preserved tombs in the ancient city of Petra, in what is now Jordan. Although its façade is its most recognizable feature — with three carved figures inset between columns — the tomb complex consists of several different architectural elements with varying degrees of preservation. In addition to the tomb façade, there is an associated courtyard, the remains of several two-story buildings, rock-cut rooms, a triclinium, and several large cisterns. The main building phase of the tomb complex took place during the third quarter of the 1st century AD.
Location
The Tomb of the Soldier is located on the southeastern outskirts of the city center of Petra, in the valley known as Wadi Farasa. Its position between eastern Wadi Farasa and the path up to a major high place of sacrifice, leads archaeologists to speculate that it may have acted as a territorial marker or gateway between the two spaces.Layout, architecture, statuary
Tomb
Stephan G. Schmid, an archaeologist excavating the site on behalf of the Palestine Exploration Fund, associates the raised position of the tomb in regard to the courtyard and the other structures of the complex with the tomb's function as a monumental structure.Facade
The main façade of the Tomb of the Soldier is 14 meters high and has four columns topped with Nabataean capitals. Above these columns are a frieze and a pediment. Between the four columns there are three niches, each containing an inset male stone figure made out of six limestone blocks. The middle inset figure is dressed in a Graeco-Roman military style cuirass.There is one entrance to the tomb, which lies in the center of the façade. Above this entrance is a Doric entablature with a pattern of alternating triglyphs and metopes. Directly above it is a simple pediment.
;Door
The entrance to the tomb appears to have had two small carved pillars framing its doorway, although the left column has eroded away. It measures only 1.6 m in width but 3.6 m in height. According to Schmid, this is significant because this door is surprisingly narrow for such a monumental construction.
The threshold of the door and the interior floor of the tomb were built of huge stone slabs at a height exactly one meter higher than the elevation of the courtyard, with two stone steps leading to the threshold. The stone threshold may have been topped by a wooden threshold, judging by archaeological evidence of charcoal fragments that have been excavated in the area.
;Statuary
The architectural language of the three carved male figure reliefs is also significant. The central figure wears the aforementioned Graeco-Roman cuirass, and is flanked by two young male figures who are almost nude and standing in the contrapposto position. According to Schmid, these characteristics are in keeping with Mediterranean artistic and iconographic traditions; however, interestingly, despite mutilation, both of their heads show evidence that they had long hair. Long hair on male statuary was not in keeping with how Roman or Greek males were depicted during this time period, and so some archaeologists see this as a clear indication of Nabatean background or influence of the subject.
;Analysis
The architectural characteristics of the façade of the Tomb of the Soldier are similar to that of the façade of the Urn Tomb at Petra. Both tombs have three alcoves framed by the four main columns, and both appear to have a very similar central entrance, column, frieze, and pediment decoration.