Tim Zinnemann
Tim Zinnemann is an American film producer, former assistant director, and photographer. He is best known for his work on the films The Cowboys, The Long Riders, The Running Man and The Island of Dr. Moreau.
Early life and education
Zinnemann was born in Los Angeles, California, the son of director Fred Zinnemann and Renee Bartlett. He attended Columbia University, but left before graduation to work as a film editor in Italy.Career
He began his career as an assistant director on the film Harlow. Other films followed such as Cast a Giant Shadow, What Did You Do in the War, Daddy?, The Happening, Bullitt, and the Western television series Cimarron Strip. His other assistant directorial credits include The Great White Hope, The Reivers, Cinderella Liberty, The Day of the Locust, Farewell, My Lovely and Smile.He then became a line producer. His credits include Straight Time, A Small Circle of Friends, The Long Riders, Impulse, Fandango, The Running Man, Lies of the Twins, Street Fighter and The Island of Dr. Moreau, his last producing credit. In 1985, he directed an episode of Miami Vice, his only directing credit to date.
Since 1992, Zinnemann focused on photography, working for various publications.
Personal life
Zinnemann married his first wife, Anna Bellini, in Italy. He married his second wife, Sharon M. McLaglen, in 1967. The couple had one child before divorcing in 1972. In 1983, Zinnemann married actress Meg Tilly, who was 20 years his junior. Together they had two children, Emily and David, before their divorce in 1989. Zinnemann's fourth marriage was to actress Christine M. Walton in 1995. They also had two children, before divorcing in 2001.Filmography
He was a producer in all films unless otherwise noted.Film
;Second unit director or assistant director| Year | Film | Role | Notes |
| 1964 | Kiss Me, Stupid | Assistant director | Uncredited |
| 1965 | The Hallelujah Trail | Assistant director | Uncredited |
| 1965 | Harlow | Assistant director | |
| 1966 | Cast a Giant Shadow | Assistant director | |
| 1966 | What Did You Do in the War, Daddy? | Assistant director | |
| 1967 | The Happening | Assistant director | |
| 1968 | Bullitt | Assistant director | |
| 1969 | The Reivers | Assistant director | |
| 1970 | The Great White Hope | Assistant director | |
| 1971 | Carnal Knowledge | Assistant director | |
| 1972 | The Cowboys | Assistant director | |
| 1972 | The King of Marvin Gardens | Assistant director | |
| 1973 | Cinderella Liberty | First assistant director | |
| 1975 | Smile | Assistant director | |
| 1975 | The Day of the Locust | Assistant director | |
| 1975 | Farewell, My Lovely | First assistant director |
;Production manager
| Year | Film | Role |
| 1973 | Cinderella Liberty | Production manager |
| 1973 | The Day of the Dolphin | Production manager |
| 1975 | Farewell, My Lovely | Unit production manager |
| 1976 | Won Ton Ton, the Dog Who Saved Hollywood | Unit production manager |
;Editorial department
| Year | Film | Role |
| 1963 | The Pink Panther | Assistant film editor |
;Thanks
| Year | Film | Role |
| 1998 | The Thin Red Line | Thanks |
Television
;Second unit director or assistant director| Year | Title | Role |
| 1967−68 | Cimarron Strip | Assistant director |
;As director
| Year | Title |
| 1985 | Miami Vice |