The Peanuts
The Peanuts were a Japanese vocal group consisting of twin sisters Emi and Yumi Itō. They were born in Nagoya, Japan on April 1, 1941. As identical twins they had voices only slightly apart in timbre, which resulted in their singing together sounding like a solo artist utilizing double tracking or reverb.
Early life
Emi and Yumi were born identical twins to Hideyo and Tsukiko Ito on Tuesday April 1, 1941 in the city of Tokoname in Aichi Prefecture. Emi was older than her twin sister Yumi.Career
While still in high school, the twins performed at a Nagoya night club as 'The Ito Sisters', and were discovered by Watanabe Productions founder Shin Watanabe. They were brought to Tokyo in 1958 where they became the first clients for Watanabe Productions. In 1959, the Peanuts became a hit at the Nichigeki theater. That same year, they released their first recording, Kawaii Hana. In their early years they sang Japanese covers of standards, foreign hits, and Japanese folk songs; then they began singing originals, written by their producer, Hiroshi Miyagawa, and such songwriters as Koichi Sugiyama and Rei Nakanishi. They were the first to perform "Koi no Vacance".The twins embarked on a brief acting career appearing as Mothra's twin human priestesses, known as the Shobijin, in the 1961 film Mothra, and the 1964 films Mothra vs. Godzilla and Ghidorah, the Three-Headed Monster. In the audio commentary for the DVD of Mothra vs. Godzilla, it is noted that director Ishirō Honda recalled the Itos' professionalism. Though not primarily actresses, the twins were surprisingly skilled, learned their lines without trouble, and always worked on time, despite their busy schedule.
Emi had a mole near her left eye. To preserve their image as identical, Yumi would have a mole drawn near her left eye.
Foreign performances
They appeared in the United States on The Ed Sullivan Show on April 3, 1966, performing "Lover Come Back to Me".Unusual for Japanese singers at the time, the duo had success in Germany, as well as in Austria. In 1963 Caterina Valente was in Japan where the duo caught her attention. Valente invited them to Germany. On the occasion of the 1964 Summer Olympics in Tokyo, Michael Pfleghar produced the opening ceremonies, where both were also invited, and the musical director Heinz Kiessling produced German-language recordings with them, including "Souvenirs from Tokyo". In 1965, Pfleghar cast them in two other shows "The Smile in the West" and "Schlager-Festspiele". In total, they released eight singles in the German language between 1964 and 1967. In 1965 "Souvenirs from Tokyo" reached No. 18 on the Austrian charts and spent 2 weeks at No. 40 on the German Billboard charts. In 1967 "Bye, Bye Yokohama" spent 4 weeks on the Germany charts, rising to No. 30. In 1966, the duo also performed at the Olympia in Paris.
Retirement and death
The pair retired from performing in April 1975, with a farewell concert tour running from March 21st-April 5th 1975, after Emi married fellow Nabepro star Kenji Sawada. Emi and Kenji eventually divorced in 1987. After retiring from music, Yumi went on to start another career in fashion design, but never married. The duo is remembered most for its versions of European songs and for a handful of Japanese pop songs, such as "Furimukanaide".Emi Itō died from cancer on June 15, 2012, at the age of 71. Yumi died on May 18, 2016, at the age of 75.
Discography
- 可愛いピーナッツ
- ピーナッツ民謡お国めぐり
- ヒットパレード
- 夢で会いましょう
- ヒットパレード第2巻
- ヒットパレード第3巻
- フォークソング
- 人気の基準
- ヒットパレード第4巻
- ヒットパレード第5巻
- ヒットパレード第6巻
- Souvenirs aus Tokio
- ヒットパレード第6巻 – ヨーロッパ周辺
- ザ・ピーナッツ・デラックス
- ゴールデンデラックス
- フィーリング・グッド – ピーナッツの新しい次元
- ザ・ピーナッツ・ダブル・デラックス
- ザ・ピーナッツ・ベスト・アルバム
- 華麗なるフランシス・レイ・サウンド ザ･ピーナッツ最新映画主題歌を歌う
- 世界の女たち
- スーパーディスク 20 Superdisc 20
- ザ・ピーナッツ・オン・ステージ
- ザ・ピーナッツ・ベスト20/指輪のあとに
- 情熱の砂漠
- スーパーディスク 20
- 気になる噂/ベスト・オブ・ザ・ピーナッツ
- ザ・ピーナッツベスト20
- 永遠の
- ザ・ピーナッツ・ベスト20
- ザ・ピーナッツ
- ザ・ピーナッツ
- ピーナッツオリジナル
- ピーナッツポップス
- ピーナッツラブ
- ベストスターWデラックス
- スーパースター・ベスト・アルバム ザ・ピーナッツ
- 記念碑
- ザ・ピーナッツ・ベスト
- ピーナッツの歴史第一巻
- ピーナッツの歴史2巻
- ザ・ピーナッツ・ベスト
- ザ・ピーナッツ・オン・ステージ
- ザ・ピーナッツ・ベスト・アルバム
- D.C.恋のフーガ
- D.C.
Kōhaku Uta Gassen appearances
| Year | # | Song | No. | VS | Remarks |
| 1959 /10th | 1 | Jounetsu No Hana | 7/25 | Hiroshi Wada & Mahina Stars | |
| 1960 /11th | 2 | Kanashiki Juurokusai | 11/27 | Hiroshi Wada & Mahina Stars | |
| 1961 /12th | 3 | Suku Suku | 19/25 | Dark Ducks | |
| 1962 /13th | 4 | Furimukanaide | 5/25 | Dark Ducks | |
| 1963 /14th | 5 | Koi No Vacation | 22/25 | Duke Aces | |
| 1964 /15th | 6 | Una Sera Di Tokyo | 24/25 | Kyu Sakamoto | Second Finale |
| 1965 /16th | 7 | Rock And Roll Music | 21/25 | Duke Aces | |
| 1966 /17th | 8 | Rome No Ame | 16/25 | Jackey Yoshikawa and His Blue Comets | |
| 1967 /18th | 9 | Koi No Fugue | 22/23 | Ai Jyoji | Second Finale |
| 1968 /19th | 10 | Glass No Shiro | 6/23 | Teruhiko Saigō | |
| 1969 /20th | 11 | Una Sera Di Tokyo | 20/23 | Frank Nagai | |
| 1970 /21st | 12 | Tokyo No Hito | 3/24 | Nomura Masaki | |
| 1971 /22nd | 13 | San Francisco No Hito | 18/25 | Masaaki Sakai | |
| 1972 /23rd | 14 | Sayonara Wa Totsuzenni | 11/23 | Billy BanBan | |
| 1973 /24th | 15 | Una Sera Di Tokyo | 12/22 | Tsunehiko Kamijō | |
| 1974 /25th | 16 | Boogie Woogie Bugle Boy | 20/25 | Akira Fuse |