The Hundred Pound Window


The Hundred Pound Window is a 1944 British comedy crime film directed by Brian Desmond Hurst and starring Anne Crawford, David Farrar, Frederick Leister and Richard Attenborough. It was written by Brock Williams, Rodney Ackland and Mark Hellinger, based on a screenplay by Abem Finkel. An accountant has to take a second job working at a racetrack, where he soon becomes mixed up with a shady crowd.

Plot

Ernest Draper is an upstanding hard-working clerk. After being posted to man the £100 bet window at a racetrack, he celebrates but loses heavily at roulette. By chance he recoups his losses and gets involved with a group of villians whom he exposes as black marketeers.

Cast

It was shot at Teddington Studios, the home of Warner Brothers's British subsidiary.

Reception

The Monthly Film Bulletin wrote: "Director Hurst has made a bright slick comedy from a strong story ... in which the numerous twists of plot and incident are never allowed to become tortuous. Freely mixing exteriors and a wide variety of sets, he makes the most of contrast between home life, the city, the racecourse and 'crook' night life. To admirable casting he adds painstaking characterisation which wins from all his actors – a long list – an unusually high standard of work."
Picturegoer wrote: "Best thing in this picture which it is hard to believe was directed by a man of the capability of Brian Desmond Hurst, is the acting of Frederick Leister as a clerk. In spite of the fact that he is made to appear too simple, he does present a sound characterization."
Variety wrote: "Slickness of plot development suggests a faithful following of the original American script by Abem Finkel, but in every detail incident and atmosphere is as English as the Derby. ... With due consideration to wartime difficulties the casting of this one is little short of a triumph for the Warners' Teddington studio, even the smallest of the bits being filled perfectly. ... Direction by Brian Desmond Hurst, coupled with more than usually effective editing, keeps the story moving with a smooth swiftness all too rare in English movies."
Leslie Halliwell wrote "Routine programmer notable only forgiving a leading role to an old character actor."