Texas Gladden


Texas Anna Gladden was an American folk singer, best known for her traditional Appalachian ballad style of singing, which she began to record in the 1930s.

Life

She was born Texas Anna Smith, in Rich Valley, Smyth County, Virginia, the daughter of Alexander King Smith and his wife Sarah Louvenia ; the name Texas was taken from that of an aunt. She married Jim Gladden in 1912 at the age of seventeen. In 1930, the couple lived in Salem, Virginia with their seven children ; Jim worked as a laborer.
She started to gain a public audience through singing at the White Top Festival in Smyth County in the mid-1930s, and also gained recognition by singing at events at the old Fort Lewis School as well as making some early recordings for the Virginia Folklore Society. In September 1941, along with her brother, musician Hobart Smith, she began to record with pioneer folk archivist and musicologist Alan Lomax. The largest collection of her work, which includes 37 tracks of songs and interviews, is compiled on the album Texas Gladden: Ballad Legacy, which Lomax produced as part of his Southern Journey series. This album contains traditional ballads of Anglo-Saxon/Celtic origin, such as "Barbara Allen", "Mary Hamilton", and "Lord Thomas", as well as regional songs lullabies like "Hush, Baby, Don’t You Cry",and even a Civil War-era ghost story. The album was reissued on CD by Rounder Records in 2001.
Her granddaughter, Cindy Gladden, stated; "Granny always said that these songs should be sung by an uneducated voice as the ballads themselves were uneducated." Texas Gladden organized these songs through the use of unique phrasings and "grace notes"which her mother taught her, and defined them as "unanticipated bends on certain notes". She did not ever think that people who sang operettas should dabble with mountain music, as it contained raw vocals from the mountain people which should not be altered. An hour or so of engaging and listening to the music of the mountains allows one to understand that Gladden was quite correct in her thinking on this concept, as formally trained musicians would not understand the nuances of the mountain vocal traditions.
Gladden had a repertoire with hundreds of songs which she learned from friends, family, and neighbors. She was not only a unique singer, she was also a song collector in her own way and possessed a sensitive artistic temperament that, as she commented to Alan Lomax, gave her “mental pictures” of everyone of whom she sung, like a servant girl or even a Queen of England.
Texas Gladden died in hospital in Roanoke, Virginia, in 1966, and is buried at Salem. She did not enjoy much fame during her life and has remained a relatively obscure artist. Her work experienced a resurgence in popularity during the 1960s as she was referenced by Joan Baez. More recently her singing has been rediscovered through harpist Joanna Newsom's recording of the traditional Appalachian style song "Three Little Babes", recorded by Gladden as "The Three Babies".