Television crew
Television crew positions are derived from those of film crew, but with several differences.
Pre-production
Casting director
Costume designer
Director
- '''Associate director'''
Location manager
Make-up artist
Production designer
Researcher
Set designer
The scenic designer collaborates with the theatre director and other members of the production design team to create an environment for the production, and then communicates details of this environment to the technical director, production manager, charge artist, and property master. Scenic designers create scale models of the scenery, artistic renderings, paint elevations, and scale construction drawings to communicate with other production staff.Television producer
- Associate producer
- Assistant Producer
- Co-producer
- Coordinating producer
- Executive producer
- Line producer
- Segment producer
- Supervising producer
Writer
Head writer
Screenwriter
Screenwriters or scenarists or scriptwriters create short or feature-length screenplays for films and television programs.- Script editor
Story editor
Production
A1
In television and live event production, the A1 is the primary audio engineer responsible for the technical design and operation of associated sound systems. Generally speaking, the A1 supervises all audio crew members during build, rehearsal, and show phases of any production. Ultimately, the A1 will have routed, recorded, and mixed all sound sources heard during the program broadcast.A2
The A2 helps get microphones or other audio devices to the right place or to the right personBoom operator
Camera operator/cinematographer/videographer
Character generator operator/Aston/Duet operator
Floor manager
- '''Assistant floor manager'''
Graphics coordinator
Stage manager
Gaffer
Grip (job)
- Key grip
- '''Dolly grip'''
Production manager
Production assistant
Runner
Stunt coordinator
Technical director
Television director – director
Presentation officer/Video control operator/vision engineering
Camera control unit operator
Video tape operator
Vision mixer
Post-production
Colorist
Composer
Editor
Foley artist
Post-production runner
Publicist
- Repetition: Some advertisers concentrate on making sure their product is widely recognized. To that end, they simply attempt to make the name remembered through repetition.
- Bandwagon: By implying that the product is widely viewed, advertisers hope to convince potential buyers to "get on the bandwagon."
- Testimonials: Advertisers often attempt to promote the superior worth of their product through the testimony of ordinary users, experts, or both. For example, using film critics or media personalities. This approach often involves an appeal to authority such as a doctor of media science.
- Pressure: By attempting to make people choose quickly and without long consideration, some advertisers hope to make rapid sales, and a sense of urgency to watch or buy a product.
- Association: Advertisers often attempt to associate their product with desirable things, in order to make it seem equally desirable. The use of attractive models, picturesque landscapes, and other similar imagery is common. "Buzzwords" with desired associations are also used.
- Imagery: Using advertising slogans, logos, or a common image increases familiarity, trust, personality of a production, and the ability for the show to be remembered.