Susanna Andersson
Susanna Andersson is a Swedish operatic soprano and the winner of the 2003 Guildhall School of Music and Drama's Gold Medal Competition.
Life and career
Andersson was born in Östersund. She received her education at the Ljungskile College Institute before moving to London where she was admitted to the Guildhall School of Music and Drama, graduating in 2003 from the opera course with First Class Honours.In 2004 Andersson was chosen as the soloist for the Nobel Prize Award Ceremony at the Stockholm Concert Hall, where she performed with the Royal Stockholm Philharmonic Orchestra. Among the pieces she performed was “Proserpine” by Joseph Martin Kraus. Her stage debut in 2005 was Zerlina in the Grange Park Opera's staging of Mozart's Don Giovanni.
In 2006 and 2007 Andersson was the only singer chosen for the ECHO Rising Stars series at the Barbican Theatre, and she gave recitals with pianist Eugene Asti in London, New York City, Athens, Amsterdam, Birmingham, Brussels, Stockholm, Cologne and Vienna.
Awards and prizes
- 2000 – Finalist, The Young Kathleen Ferrier Award
- 2001 - Semi-finalist, The International Mozart Competition
- 2004 – Sigrid Paskells Scholarship for the Performing Arts
- 12 May 2003 - Andersson won the Guildhall School of Music and Drama’s Gold Medal Competition after the final performance at the Barbican Theatre, London. After performing pieces such as Debussy’s Pantomime and Clair de lune to piano and the Guildhall Symphony Orchestra, she was announced as the winner.
- 2004 – Song Prize at The Kathleen Ferrier Awards
Opera roles
- Atalanta, in Handel's Xerxes
- The Queen of the Night, in Mozart's The Magic Flute
- Lucia, in Britten's Rape of Lucretia
- Flora, in Britten's Turn of the Screw
- Philline, in Mignon by Ambroise Thomas
- Therese, in Poulenc's Les mamelles de Tirésias
- Susanna, in Mozart's The Marriage of Figaro
- Adina, in Donizetti's L'elisir d'amore
- Giannetta, in L'elisir d'amore
- Echo, in Gluck's Echo and Narcissus
- Papagena, in The Magic Flute
- Die Freundin, in Schoenerg's Von heute auf morgen
- Blonde, in Mozart's Die Entführung aus dem Serail
- Servilia, in Mozart's La clemenza di Tito
- Valencienne, in Lehár's The Merry Widow
- Papagena
- Zerbinetta, in Ariadne auf Naxos by R. Strauss
- Venus/Chief of the Gepopo, in Ligeti's Le Grand Macabre
- Oscar, in Verdi's ''Un ballo in maschera''