Super Disco Pirata: De Tepito Para El Mundo 1965–1980
Super Disco Pirata: De Tepito Para El Mundo 1965–1980 is a compilation album of bootleg cumbia remixes and rebajadas, released by Analog Africa on 15 November 2024.
Background and release
Beginning in the 1940s Mexican sonideros – described by Carlos Tropicaza as "amateur mobile sound system operators, armed with a record player, amp and speaker" – offered a cheaper alternative to hiring a band at quinceañeras and other parties, and they helped to popularise Caribbean tropical music in Mexico.Sonideros grew in popularity, and some started travelling to South America to import records directly.
By the 1980s a sophisticated bootleg record industry had emerged in the Tepito suburb of Mexico City, illegally reprinting copies and self-made compilations of tropical music records from across Latin America, predominantly Peru, Ecuador, and Colombia.
The bootleg records were called piratas, and were printed in runs of less than 500 with bespoke covers, including logos for each sonidero.
Analog Africa head Samy Ben Redjeb travelled to Mexico City in 2019 to finalise the compilation album Saturno 2000. While there he came across the bootleg piratas, and on a later trip in 2022 he bought the records for Super Disco Pirata.
Most of the tracks on the album are not the bootlegs that Redjeb found in Mexico, but instead versions recreated from the original tracks to be as close to the bootleg as possible. One exception is "Afro Oriental", of which Redjeb said "no matter how hard we tried, we never managed to make it sound as good."
Critical reception
In a review for Uncut, Stephen Dalton described Super Disco Pirata as a "variable mix, but well stocked with pungent gems and alluringly wonky oddities."Songlines called the album "sometimes bizarre, but always glorious."
Vogue México y Latinoamérica put the album 10th in their list of the best Spanish-language albums of 2024.
Personnel
- Yacine Blaiech – graphic design
- Joaquín Contreras Soto – front cover
- Michael Graves – mastering
- Jordan McLeod – audio restoration
- Carlos Icaza, Samy Ben Redjeb – liner notes
- Jesse Simon – text editing
- Brendan James Flannery – translation