Sonia Paço-Rocchia


Sonia Paço-Rocchia, born in 1982 in Montreal, is a composer, multidisciplinary artist, improviser, bassoonist and creative coder.
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Biography

After graduating in mixed music composition from the Université de Montréal in 2005, she began her career in Europe, where she was based mainly in London. She later moved to the Laurentides region in Quebec. Her work has been shown in a dozen countries, including Canada, England and Belgium. In 2019, she became the first woman to receive the in the "Creation of the Year" category.
Sonia Paço-Rocchia's approach focuses on sounds, timbres and open musical forms. Her research includes the exploitation and expansion of the sound palettes of instruments through playing techniques or live electronics, inventing her own instruments and instrument automatons. Her pieces frequently involve a visual or theatrical aspect.
Sonia Paço-Rocchia is bassoonist-improviser with the. She regularly improvises with chamber ensembles, such as The Fantastique Quintet, VibraLib and ZzCc or as a soloist.

Work

Compositions

Justine et les machines, opera on a libretto by Marie-Ève Bouchard, commissioned by the 3 FEMMES prize by Mécénat Musica Trouée, a work for baritone saxophone, contrabass clarinet, two Tables de Babel, Orgue de sirène, percussion including an electric Lame, a Stemsaw and a Flex-a-tone on stand, and multi-channel live electronics. This work was commissioned by and, and was nominated as a finalist for the "Creation of the Year" in 2020 Ode au métal is a work for saxophone quartet performing inside an installation, made of large metal pieces augmented with electronics, as well as quadraphonic live electronics. This work was commissioned by the saxophone quartet. Ode au métal was awarded two, "Creation of the Year" and "Concert of the Year, New Music, Electroacoustic" as well as an Excellence award in performing arts from the. Si on l'ouvrait is a composition for alto flute, bass clarinet, violin, cello, piano, Flex on a stand, sensor boxes, projection automaton and quadraphonic live electronics. This work was commissioned by the. Nouvelle vie, nouvelle ville is a created for the 375th anniversary of the founding of the city of Montreal. Commissioned by the Pointe à Callière Museum, it is a composition for brass quintet, musical saw, Stemsaw, quadraphonic live electronics, train sirens, boats sirens and the carillon of Notre-Dame Basilica. Said, live coding performance made with a live coding web platform developed by the artist, presented among others places at StudioXX D’un autre côté, for guitar, harp, harpsichord, cymbalum, double bass, five Cubes that are sound triggers and live electronics. A work commissioned by for the ensemble Punctum. Hommage, for 32 bassoons around the public. Il temps-te, variations and improvisations avec theatricality, for cornet, flugelhorn, piccolo trumpet, trumpet and quadraphonic live electronics. Soupirs, for solo clarinet, voice and live electronics. CAM, for seven musicians playing Société de transport de Montréal metro cards, amplification on a quadraphonic setup.

Installations

When the Saws are Alone in the Woods, an automated musical saw quartet installed in a sugar maple forest that can be visited virtually and interacted with via an online poetic journey in which each choice influences the composition and the video. Flex, a sound, kinetic and interactive installation, an automated flexatone ensemble playing an interactive non-linear composition, presented in Curiosités sonores ambulantes. Ode au métal is a work for saxophone quartet performing inside an installation, made of large metal pieces augmented with electronics, as well as quadraphonic live electronics. This work was commissioned by the saxophone quartet. Ode au métal was awarded two, "Creation of the Year" and "Concert of the Year, New Music, Electroacoustic" as well as an Excellence award in performing arts from the. Réflexion a sound, visual and robotic installation with web-interactivity, an installation for automated moving mirrors, projection and non-linear composition presented at Agence Topo Lames, site-specific interactive sound installation for automated musical saw ensemble, commissioned by Centre Daïmôn, Hull, for the Interstices 150th of Confederation event, presented at Electric Eclectics Festival, Meaford and at NAISA, South River.Scies, interactive sound installation with generative non-linear composition for ensemble of sound automatons made from circular saw blades, presented at Modern Fuel Gallery during Tone Deaf. Hélix, a site-specific interactive sound installation with up to twenty Helixophone automatons, an instrument based on the Slinky invented by the artist Hélix was presented at City Sonic, Mons, Carré 150 during Festival International de Musique Actuelle de Victoriaville, Quai 5160, Montréal, PHOS, Espace F, Matane, Centre d'art visuel d'Alberta, Edmonton, among others.

Exhibitions

Solo exhibitions

Group exhibitions

Discography

Awards and recognition

  • Finalist for the Artiste de l'année des Laurentides award from the Conseil des arts et des lettres du Québec
  • Winner of the Excellence in performing arts award from the for her work Ode au métal, her research and her international outreach
  • Winner of the Mécénat Musica's 3 FEMMES award 2020-2021
  • Finalist in the "Creation of the Year" category of the for her work Trouée in 2020
  • Winner of the, in the category "Creation of the Year" for the work Ode to Metal in 2019
  • Winner of the, in the category "Concert of the year, new and electroacoustic music" for her work Ode au métal en 2019
  • Winner of the Prix Jeune relève in visual art, in 2018 for her work as a whole