Shao Fei
Shao Fei is a contemporary Chinese female artist from Beijing. As a professional painter at the Central Academy of Fine Arts from 1976 and a prominent member of the Stars Art Group from 1979–80, Shao Fei combines the use of expressionism, fantastic and figurative art in her works. In China, she has influenced the contemporary art movement and eliminated artistic restrictions imposed on female artists.
Life
Early life
Her mother, Shao Jingkun, was an oil painter and taught her guo hua technique at an early age.At the age of sixteen, Shao Fei joined the PLA where she served in the forces from 1970-76. During these years, she continued to practice painting. She entered the Beijing Fine Art Academy as a full-time professional painter in 1976 and was highly respected by other painters.
Groups
Shao Fei was a prominent member of the Stars Art Group from 1979-80. During this time, she participated in the Star Art Exhibition held on September 27, 1979. The Chinese government disapproved of their art and did not grant them permission to hold the exhibition. In protest, Shao Fei and other Stars Art Group members held the exhibition outside the China Art Gallery to challenge the government over their authority of classifying art. In November 1979, the government granted them permission to officially hold their first exhibition “Star Art Exhibition” in Beijing.Relationships
Shao Fei was married to Bei Dao, a Chinese poet who openly opposed the Chinese government. They had one child. In 1987, they went to England when Bei Dao was invited as a visiting scholar at Durham University. In the 1990s, they emigrated to the US. Shao Fei and Bei Dao later separated.Art
Art Style
Shao Fei's works are usually decorative, fantastical, and figurative. She practices expressionist devices in her oil paintings, and she often depicts women and children in her work.Works
Shao Fei's works are often inspired by historical private gardens that were common in Xiuning, Angui during the Ming Dynasty from 1368-1644. Many of these garden scenes were made into woodcut illustrations, which Shao Fei incorporates into her art.She also includes mythological creatures inspired by the Chinese classic text Shanhaijing.
Her art work, Last Song of the Grand Historian, is painted on both the front and back of the paper. This results in thick, opaque layers that resemble heavy colour painting. The rich colours used portray the intense range of emotions the viewer is meant to feel. Shao Fei distorts the subjects in her painting, so that the scene parallels an imaginary world.