September Storm
September Storm is a 1960 American 3-D adventure film directed by Byron Haskin and starring Joanne Dru and Mark Stevens.
Filmed in 3-D and DeLuxe Color and presented in CinemaScope, it is notable as the only U.S. feature film made in 3-D between Revenge of the Creature, which was released in the spring of 1955 and marked the end of the 1950s 3-D movie fad in the U.S., and The Bubble, which premiered in late 1966 and introduced the economical "over-and-under" single-strip format used by most of the 3-D films of the 1970s through early-2000s.
Plot
American fashion model Anne Traymore, swimming off the isle of Majorca, loses a bracelet, which the handsome Manuel del Rio Montoya returns to her. She believes he owns a beautiful yacht called The Swan, but he merely works on it for the wealthy Rene LeClerc.A couple of fortune hunters, Balfour and Williams, claim they know where $3 million in gold doubloons can be found, but need a boat. They offer a share to Anne and Manuel, and the latter deceives LeClerc by claiming the boat needs three weeks of repairs.
A raging storm causes the propeller to be clogged by seaweed. Balfour dives to clear it and is stung by a man-o-war. He is taken to an island to recover. Manuel professes his love for Anne, who rejects him, Balfour having caught her eye instead. An angry Manuel tries to leave and gets into a fight with Williams that nearly sinks the vessel.
After the divers bring up the loot, Williams decides to strand the others and keep it all to himself. By now, LeClerc has become aware of the deception and intercepts them, but he is talked out of contacting the law by being offered a share of the money. The Coast Guard, alas, arrives to confiscate it all.
Cast
- Joanne Dru as Anne Traymore
- Mark Stevens as Joe Balfour
- Robert Strauss as Ernie Williams
- Asher Dann as Manuel del Rio Montoya
- Jean-Pierre Kérien as LeClerc
Production
Although it is widely believed to have been filmed in Stereovision, Bob Furmanek, who oversaw the 2016 restoration, says this is a myth. It was shot full-frame with the original NaturalVision cameras used on Bwana Devil. The center of the image was then extracted to create a 2.35:1 aspect ratio, in the manner of the then-current Superscope process. Unfortunately, it was poorly done, resulting in a large number of badly-framed shots; for example, the scene with the Flamenco dancers has a huge amount of headroom while their feet are cut off.