Sentry Peak
Sentry Peak is a 2000 fantasy novel written by Harry Turtledove. It is the first novel in the War Between the Provinces series, a fantasy version retelling of the American Civil War.
Plot
When Avram becomes King of Detina after the death of his father King Buchan, he declares he intends to liberate the blond serfs from their ties to the land. The northern provinces, where most of the serfs live, do not accept his lordship. The hot north is a land of broad estates, whose noble overlords take the serfs' labor and give back next to nothing. Those provinces secede from Detina, choosing Avram's cousin, Grand Duke Geoffrey, as their king in his place.Avram refuses to let Geoffrey rule the north without a challenge. The southern provinces, full of merchants and smallholders stand solidly behind him. So he sends armies clad in gray against the north. Geoffrey raises his own army, and arrays his men in blue made from the indigo much raised on northern estates to distinguish them from the southrons. This begins the Detinan Civil War.
In Sentry Peak, the story begins with Detina General Guildenstern going on his war unicorn to meet Thraxton the Braggart of the northern provinces, for a clash at Sentry Peak near Rising Rock. Guildenstern is accompanied by Lieutenant General George, nicknamed "Doubting George". Everything else in the story is a parody in a vein similar to these examples.
Reception
Kirkus Reviews dismissed the novel as "fairly typical Turtledove , with lots of talk and maneuvering, and very little actual fighting", and concluded by saying "shrug, so what?" Publishers Weekly was more positive, noting that in addition to "a treasure trove of japes and wordplays", the novel also has "some serious and cogent thinking on the position of minorities, the art of command and the Civil War", as well as "some exacting tests of cultural literacy" — if one can "resist the temptation to fling the book down."Steven H Silver found the puns on the names of historical figures and locations to be "clever" but also "distract", and emphasized that the characterization was done in "broad strokes relying on the reader's knowledge of historical models to supply the rest", with the result that readers who are not already "Civil War aficionados" will find these characters "flat"; Silver also faulted the novel's focus on battle scenes to the exclusion of "civilian culture".