Semyon Barmotin
Semyon Alexeyevich Barmotin was a Russian pianist, composer and teacher. He was long obscure, not being mentioned in any music dictionaries until 1989, but a 2019 world premiere recording of some his important piano works has gained him positive critical notice. Referring to the 20 Preludes, Op. 12, one commentator wrote: "As a listener, what stands out is how well-crafted and delightful these little works are... how on earth it is that they only now have their world premiere recording?"
Career
Barmotin was born in Saint Petersburg. His father was from Tambov peasant stock who had served in a grenadier regiment at the Imperial Palace. Barmotin's musical gifts were apparent from an early age, and his mother arranged for him to be taught by Mily Balakirev, who was then Director of the Imperial Chapel. He then studied composition at the Saint Petersburg Conservatory under Nikolai Rimsky-Korsakov 1899–1901. He himself taught at the Imperial Chapel before going to teach at a school in Kherson, and then privately on his return to Saint Petersburg. From 1919-23 he was director of choral singing for the Baltic fleet, and 1923-25 taught at his alma mater, now known as the Petrograd Conservatory.Barmotin is not mentioned in the main Western music dictionaries. Only in 1989 did he gain an entry in the Biographical Dictionary of Russian/Soviet Composers published in the United States, but that provides only sparse and incomplete information.
Death
Barmotin's obscurity extended even to the details of his death. The date and circumstances of his death were unknown for many decades, which led some commentators to speculate that he suffered a dire fate at the hands of the Soviet regime in the 1930s. It was only in recent times that his death date of 5 April 1939 was established, based on a hand-written obituary found in the Saint Petersburg City Archives; but the place and circumstances of his death are still unknown. The Biographical Dictionary of Russian/Soviet Composers characterizes the lack of death date as "suspicious".Works
Much of Barmotin's music is for solo piano, including a Sonata in G-flat, 20 Preludes, Theme and Variations, suites and miscellaneous pieces. He also wrote three operas, a Violin Sonata, a Poème symphonique for orchestra, Hymn to Comrade Stalin, and October Victory, a march-cantata to celebrate the 20th anniversary of the October Revolution. Most of his work was published by such important houses as Mitrofan Belyayev and P. Jurgenson.Works with opus number
- Op.1 - Theme and Variations, for Piano
- Op.2 - 3 Lieder ohne Worte, for Piano
- Op.4 - Piano Sonata
- Op.5 - 6 Pieces, for Piano
- Op.6 - 10 Pieces, for Piano
- Op.7 - 3 Romances, for Voice and Piano
- Op.9 - Tableaux de la vie enfantine , 22 pieces for Piano
- Op.10 - Ballade, for Piano
- Op.12 - 20 Preludes, for Piano
- Op.14 - Violin Sonata
- Op.18 - Ах, сколько, сколько пало их, for Mixed chorus a cappella
- Op.19 - Pieces, for Piano
Works without opus number
Princess Zemlyanichka, children's opera. We will be like the sun, opera. Yaga, operetta. Poème symphonique for orchestra. Hymn to Comrade Stalin. October Victory, Funeral Cantata to the memory of Lenin, for Mixed chorus with PianoKomsomol March, for Chorus with Piano To the Women of the Commune, Cantata for Soloists and Mixed chorus with PianoHarmonization
- Komsomol Dances, for Piano and Chorus;Мы кузнецы, for Voice and PianoСмело, товарищи, в ногу, for 2-voice Chorus with Piano