Rudi Spring


Rudi Spring was a German composer of classical music, pianist and academic teacher. He also worked as a church organist and conductor. He was known for vocal compositions on texts by poets and his own, and for chamber music such as his three Chamber Symphonies. As a pianist, he played with several regular duo partners and made recordings of works by Bach and his sons, Schubert and Sibelius. He taught Lied interpretation at the Musikhochschule München from 1999.

Life and career

Born in Lindau on 17 March 1962, Spring received piano instructions from, starting in 1971. He studied chamber music in 1978 in Bregenz with the cellist Heinrich Schiff, with whom he also played in concert and who encouraged him to compose. He worked from 1975 to 1986 as a church organist, and as a conductor from 1985. Spring studied at the Musikhochschule München from 1981 to 1986, composition with Wilhelm Killmayer and Heinz Winbeck, and piano with Karl-Hermann Mrongovius.

Composer

Spring composed songs and song cycles, inspired by poems of Heinrich Heine and Hermann Lenz. His song cycle in four volumes Galgenliederbuch sets poems from Christian Morgenstern's collection. He wrote a song cycles Nero lässt grüßen after Martin Walser's monodram, So nah in der Ferne, setting poems by ), and a sequence of songs, Liederfolge für mittlere Singstimme und Klavier after poems by August Stramm, Else Lasker-Schüler, Ingeborg Bachmann and Jakob van Hoddis. Several of these works were recorded by Bayerischer Rundfunk, with singers such as Martina Koppelstetter.
He received commissions from the state of Baden-Württemberg, the Deutscher Musikrat, Münchener Kammerorchester, the Munich Puppet Players, the International Bodensee Festival the Hugo-Wolf-Akademie Stuttgart, the, Klavier-Festival Ruhr, and A*Devantgarde in Munich. Konstantin Wecker commissioned him to orchestrate his film score for In der Mitte eines Lebens.
In 2005, Spring was awarded the fellowship of the Villa Massimo in Rome.

Pianist

Spring played in duo collaborating with the violinist Erich Höbarth from 1984 to 2005, with the hackbrett player Marianne Kirch from 1989 to 1997, with the violist Hariolf Schlichtig from 1990 to 1996, with the accordionist from 1994, with the vocalist Salome Kammer from 2000, and with the cellist Jessica Kuhn from 2005. In 2009, he accompanied Kammer at a recital of the Rheingau Musik Festival in songs and Chansons of the 1920s to 1940s. He played the piano in a trio concert at the Gasteig, with Jens Josef and Graham Waterhouse, performing Martinů's trio and the premiere of the flute version of Gestural Variations; every composer contributed a Christmas carol, with Spring setting "Maria durch ein Dornwald ging".

Recordings

In 2008, two of his songs appeared on a CD of Salome Kammer, together with music of Cole Porter, Luciano Berio's Sequenza III, and Alban Berg, among others. He recorded keyboard works by Bach and his sons C. P.. E. Bach and W. F. Bach, released in 2000. He recorded piano Sonatas by Schubert in 2003 and 2004, and piano works by Jean Sibelius in 2009.

Teaching

Spring taught at the Musikhochschule from 1987, first vocal coaching, then ear training, musical analysis and pitch space, and from 1999 Lied interpretation. He was also chamber music teacher, head of a listening seminar and conductor. Spring wrote an extensive annual essay series "Im Bann der runden Zahlen" for the vocal pedagogy journal Vox humana.

Personal life

Spring was married; the couple had two sons. They lived in Munich.
Spring died unexpectedly on 28 December 2025 at the age of 63, after a stroke.

Awards

  • 1987: Feldkircher Kulturpreis
  • 1988: Bayerischer Staatlicher Förderpreis für junge Künstler
  • 2002: Internationaler Bodenseekulturpreis
  • 2005: Villa Massimo
  • 2012: Kulturpreis of Lindau

Works

Spring's compositions, published mostly by Verlag 433, include:

Stage

Er trieb einen kleinen Finsternishandel op. 71, for speaker, Klangfiguren, accordion and violoncello, libretto on aphorisms of Georg Christoph Lichtenberg, premiere 10 June 1999 in Schloss Seefeld, Munich Puppet Players, Maria Reiter, Heinrich KlugZwischen Blick hinter Grund, Op. 74e,1, text: Spring, premiere 1 April 2001 in Saulgau, Salome Kammer, Spring, recorded in 2002 by SFB BerlinAn der steilen, roten Felswand, Op. 74e,2, text: Spring, premiere 2 May 2002 in Benediktbeuern, Salome Kammer, Spring Die Donau und ihr Geist, Op. 78, fairy tale melodram for speaker, pantomimes and sextet, libretto: Andrea Haupt and Elisabeth Verhoeven, premiere 10 November 2002 in Stuttgart, Elisabeth Verhoeven, theatre group of the Musikschule Stuttgart, direction: Andrea Haupt

Vocal

; For voice and one to six instrumentsGalgenliederbuch, Op. 19, for voice and piano, after Galgenlieder by MorgensternAbend der Kindheit, Op. 20a for soprano and quintet, text: Hermann Lenz, premiere 1983 at the Musikhochschule MünchenSo nah in der Ferne, Op. 52, song cycle for soprano and trio: flute, viola and violoncello, texts: Wolfgang Bächler. premiere 13. November 1992 in Augsburg, Adelheid Maria Thanner, Bettina Fuchs, Gunter Pretzel, Anja Lechner, recorded in 1992 by BRLiederfolge, Op. 54 for voice and piano, premiere nos 1, 2, 3, 5, 7 in Weilburg, 27 July 1995, Dietrich Henschel, Fritz Schwinghammer, recorded in 1998 in Brussels, premiere nos 4 and 6 in Prien am Chiemsee, 25 October 1998, Martina Koppelstetter, Spring, recorded in 1999 by BRAch sender schenke, Op. 55, prelude, song cycle and dance, for baritone and quintet, canzone in dialogue for baritone and piano. text: Francesco Petrarca, premiere 30 May 2004 in Biedenkopf, Eckelshausener Musiktage, Martin Bruns, Jan Philip Schulze
; For voice and ensemble/orchestraEntzündet, Op. 70e for chanson baritone, accordion and string orchestra, text: Konstantin Wecker, premiere 24 June 2001 in Munich, Gasteig, Wecker, Maria Reiter, Abonnentenorchester of the Münchner Philharmoniker, conductor Heinrich KlugHeimkunft, Op.74 for mezzo-soprano, flute, clarinet, trumpet, accordion, harp and string orchestra, text: Friedrich Hölderlin, Heimkunft. An die Verwandten, premiere 19 May 2001 in Tettnang, Neues Schloss, Christa Mayer
; For voices a cappellaVon guten Mächten wunderbar geborgen, Op. 45 for five-part mixed choir, text: Bonhoeffer's "Von guten Mächten wunderbar geborgen", premiere 8 June 1991 in Minich, Studienchor of the Musikhochschule München, conductor Max FreyNarcissus und Echo, Op. 59, vocal scene for six-part mixed choir, texts from Ovid's Metamorphoses, premiere 6 August 1994 in Irsee Abbey, conductor Kurt Suttner

Instrumental

; For one to four playersSonatine, Op. 1, for violoncello and piano, recorded 1980 by the, for two flutes, Naturton-hackbrett and pianoCanto sopra un’ idea frattale for bassoon and organ, premiere 28 April 2005 in Vienna, Radio-Kulturhaus of the ORFRisonanze, Op. 82b
; For five to eight playersPraeludien, Op. 37, for string sextet and Klavier, premiere 12 May 1992 in Schwaz,, Spring ), recorded in 1992 by ORF in Innsbruck
; For ensemble/orchestraSzene 1, Op. 10, for violoncello and orchestra, premiere 28 November 1981 in Prague, Heinrich Schiff, Prager Symphoniker, conductor Jiří Bělohlávek
  • Chamber Symphony No. 1, Op. 63, for 12 brass players, premiere 6 June 1995 in Berlin
  • Chamber Symphony No. 2, Op. 68, for clarinet/tenor saxophon, horn, percussion, accordion and string orchestra, premiere 12 February 1998 in the Herkulessaal of the Munich Residenz, Münchener Kammerorchester, conductor: Jobst Liebrecht

Literature

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