Rosemary Kilbourn
Rosemary Kilbourn, was a Canadian printmaker, illustrator and stained glass artist known for her work in wood engraving.
Early life and education
Born in Toronto, Canada, Kilbourn was drawn to art at an early age. She was especially inspired by the work of Emily Carr, whom she met during a family visit to Victoria, British Columbia.Kilbourn went on to attend high school at Havergal College and later pursued painting at the Ontario College of Art, graduating in 1953. That same year, she travelled to London, England to further her studies in portrait painting. While there, she was introduced to wood engraving and purchased her first set of burin tools before returning to Toronto in the mid-1950s.
Upon her return, Kilbourn’s former painting instructor, Will Ogilvie, invited her and other graduates to sketch En plein air near Palgrave, Ontario. Inspired by local painters such as David Milne, Kilbourn began to look for a place of her own. In 1957, she purchased a former schoolhouse built in 1872, no longer in use and locally known as the Dingle School.
Tucked into the Niagara Escarpment in Caledon East, the Dingle Schoolhouse and its surrounding landscape became the heart of Kilbourn’s artistic practice. The location served as her primary subject matter, and she lived and worked there until 2019.
Painting and wood engraving
One of Kilbourn's first commissions was a mural for the new dining hall at the University of Western Ontario. In addition to commissioned portraits, her early work included book illustration using wood engraving. She illustrated two books by her brother, William Kilbourn The Firebrand ; The Elements Combined ; and Farley Mowat's, The Desperate People. Kilbourn worked actively in wood engraving from the 1960s through the 1980s. In addition to traditional book-sized engravings, she experimented with unconventional formats, using large wood blocks to create both landscape and figure compositions, which she printed by hand and with a press.In 1976 she illustrated Florence Wyle's collection of poems Shadow of the Year published by Aliquando Press. Her wood engraving based on Frederick Philip Grove's Fruits of the Earth was featured on a Canadian memorial 17-cent stamp in 1979. Recently, with Anne Corkett, she selected poems by Richard Outram to accompany illustrations by Thoreau MacDonald, a work commissioned by the Arts and Letters Club in Toronto: South of North: Images of Canada by Richard Outram with drawings by Thoreau MacDonald. In 2012 The Porcupine's Quill published Out of the Wood, a collection of eighty reproductions of wood engravings by Kilbourn, done over a period of fifty years, accompanied by short, elegiac fragments of text that elucidate her unique and influential aesthetic. Some of the reproductions fold out into a double spread; 'Out of the Wood' also includes a full-size reproduction of The Obedience of Noah, which gives an example of the large scale of some of Kilbourn's work.