Rokuharamitsu-ji


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Rokuharamitsu-ji is a Buddhist temple located in the Rokkaku-dori Matsubara-dori Yamato-oji Higashiiru neighborhood of Higashiyama-ku, Kyoto, Japan. It belongs to the Shingon-shū Chisan-ha sect of Japanese Buddhism and its honzon is a hibutsu statue of Jūichimen Kannon that is designated a National Treasure. The temple's full name is Fudaraku-san Fumon-in Rokuharamitsu-ji.The temple is the 17th stop on the Saigoku Kannon Pilgrimage route.
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Overview

The founding of this temple is uncertain. According to the Heian period history book Fusō Ryakuki, the temple originated from a training hall dedicated to Jūichimen Kannon, which was built in 951 Kūya, known for his dancing nembutsu. It was originally called Saikō-ji. During the plague epidemic in Kyoto at the time, Kūya is said to have saved many people by pulling this Kannon statue around the city in a cart, chanting nembutsu, and serving tea to the sick. Another theory is that Kūya held a large-scale memorial service for the Large Prajñāpāramitā Sūtras on the banks of the Kamo River in August 963, and that this was the founding of Saikō-ji. At the time, the Kamo River was a place for the disposal of corpses and funerals.
After Kūya's death, in 977, Chushin, a monk from Enryaku-ji on Mount Hiei, renamed the temple Rokuharamitsu-ji and re-established it under the Tendai sect. The new name may have come from the Buddhist doctrine of the six "Rokuharamitsu," loosely translated as "perfection"; however, another theory is that it originated from the fact that the area was called "Rokuhara" . The temple came to be associated ties with the Heike clan in the late Heian period when Taira no Masamori built the nearby Amida-dō. Taira no Tadamori stationed his troops in a sub-temple of the temple, and eventually built a mansion called "Rokuharaden" next to the temple grounds. Taira no Kiyomori incorporated the temple into the Heike clan's compound, and over 5,200 Heike residences were constructed within and around the temple. In 1183, when the Heike clan fled the capital in the Genpei War, the temple caught fire. The fire also burned the temple's other buildings, but only the main hall survived. After this, the Kamakura shogunate established the Rokuhara Tandai on the ruins of the Heike mansion and residences.
Rokuharamitsu-ji was rebuilt by Minamoto no Yoritomo and Ashikaga Yoshiakira. The main hall was rebuilt again in 1363 during the Nanboku-chō period. However, the temple grounds suffered repeated fires. During the Bunroku era, when Toyotomi Hideyoshi erected the Kyoto Daibutsu, Rokuharamitsu-ji was repaired and the temple was granted 70 koku of land for its upkeep. At this time, it became a branch temple of the Shingon sect's Chishaku-in. A large temple complex existed until the end of the Edo period. Following the anti-Buddhist movement during the Meiji Restoration, the temple grounds were significantly reduced in size, and the main hall is now surrounded by private houses, making the grounds smaller.
In 1969, the main hall was dismantled and repaired, during which approximately 8,000 mud pagodas, mentioned in works such as "Konjaku Monogatarishu" and "Sankaiki," were excavated from the base.
The temple is approximately a seven-minute walk from Kiyomizu-Gojō Station on the Keihan Main Line or a 15-minute walk from Kyoto Kawaramachi Station on the Hankyu Kyoto Main Line.

Cultural Properties

National Treasures

  • Wooden statue of standing Jūichimen Kannon , early Heian period

National Important Cultural Properties

  • Hondō, Muromachi period The Tendai-style building has a wooden-floored outer sanctuary and a lower, earthen floor with a quarter-floored floor, separated by sliding doors. The current veranda was added to the main hall by Toyotomi Hideyoshi during the Bunroku era. It was dismantled and repaired in 1969.
  • Wooden portrait statue of standing Kūya Shōnin, Kamakura period; This statue was carved by Unkei's fourth son, Yasukatsu. While portraits of monks are often depicted seated, this one depicts Kūya walking in straw sandals walking through the streets of Kyoto, where an epidemic was raging, ringing a gong and chanting Buddhist prayers to ward off the plague. Kūya wears a gong around his neck, holds a wooden mallet in his right hand, and a staff with deer antlers in his left. Six small statues of Amida Buddha emerge from Kuya's mouth. The six Amida Buddhas symbolize the six characters of "Namu Amida Butsu," visually representing the chanting of the prayer. The six statues are connected by wire.
  • Wooden statue of seated Taira no Kiyomori as a priest, Kamakura period;
  • Wooden statue of seated Kṣitigarbha, Kamakura period; Although there is no inscription, the statue is believed to have been made by Unkei based on temple tradition and the style of the work.
  • Wooden portrait statues of seated Unkei and Tankei, Kamakura period ;
  • Wooden statues of standing Four Heavenly Kings, Heian period ;
  • Wooden statue of seated Bhaisajyaguru, Heian period;
  • Wooden statue of standing Kṣitigarbha, Heian period;
  • Wooden statue of seated Kūkai, Kamakura period;
  • Wooden statue of seated Yama, Kamakura period;
  • Wooden statue of standing Śrīmahādevī, Kamakura period;

National Important Tangible Folk Cultural Property

Kyoto Prefecture Designated Tangible Cultural Properties

  • Colored drawings of the Ten Kings on paper by Lu Shinzhong, Yuan Dynasty;
  • Solicitation letter for the reconstruction of Rokuharamitsu-ji, Nanboku-cho period;
  • Records of contributions by daimyo from various provinces, Nanboku-cho period;