Robert Valentine (composer)


Robert Valentine, also known as Roberto Valentini and Roberto Valentino, was an English composer, recorder player, oboist and violinist, who moved to Rome and became a citizen of the Papal States. He is noted for his large number of compositions for the recorder.

Biography

Born c. 1671, he was baptized in Leicester on 16 January 1674. He was the son of Thomas Follentine or Follintine, who lived in Leicester from c. 1670 and worked as a town musician there accompanied by his elder sons Thomas and Henry. The family became a prominent one in the musical life of Leicester; descendants included John Valentine, who was the grandson of Robert's eldest brother Thomas, and John Valentine's daughter Ann Valentine.
Robert Valentine seems to have spent little if any of his adult life in England before moving to the Papal States, where he became known by the Italian versions of his name. He settled in Rome and took a Roman wife, marrying Giulia Bellatti in September 1701 in the parish of Sant'Andrea delle Fratte. They had nine children, although only three of these survived their parents.
He died in the same Roman parish on 26 May 1747, only 12 days after the death of his wife, and not back in England at some other date, as was formerly thought.

Works

Valentine is particularly known for his large output of compositions for the recorder, as well as for his reputation as a highly skilled player of that instrument. He also played the oboe and violin. His compositions were instrumental. They include a number of collections of sonatas and trio sonatas, as well as some examples of concerto grosso. His initial style closely followed that of Arcangelo Corelli, but he gradually progressed towards the Galante style, as evidenced by his later collections of sonatas published in Northern Europe.
Works with Opus number:
  • Op. 1: 12 Trio sonatas
  • Op. 2: 12 Sonatas for Alto recorder and B. c.
  • Op. 3: 12 Sonatas for Alto recorder and B. c.
  • Op. 4: 12 Balletti da camera, for 2 Violins and B. c.
  • Op. 4²: 6 Trio sonatas
  • Op. 5: 6 Sonatas for 2 Flutes without Bass
  • Op. 6: Sonatas for 2 Alto recorders without Bass
  • Op. 7: 6 Sonatas for 2 Flutes or Violins without Bass
  • Op. 8: "Setts of Aires and Chacoon" for 2 Alto recorders and B. c.
  • Op. 9: "Setts of Aires" for 2 Alto recorders and B. c.
  • Op. 10: 7 "Setts of Aires" for 2 Alto recorders and B. c
  • Op. 11: 6 Sonatas or solos for Alto recorder and Harpsichord
  • Op. 12: 12 Soli for Violin and B. c.
  • Op. 12²: 6 for Flute/Violin/Mandola or Oboe and B. c.
  • Op. 13: 6 Sonatas or Soli, for Flute and B. c.
Works without Opus number:
  • 6 Concerti grossi
  • Concerto for Flute and Strings
  • Concerto for 2 Flutes and Strings
  • Sonata for Flute and Strings
  • 12 Sonatas and a pastorale for 2 Oboes and B. c.
  • 18 Sonata movements for 2 Oboes and B. c.
  • Divertimento for 2 Flutes
  • La Villegiatura: 6 sonatas for 2 Flutes
  • 12 Sonatas for Alto recorder and B. c
His works were popular in the amateur market for flute and recorder music, which flourished in England in the early 18th century, a time when the recorder was also fashionable in concert performance there. Valentine's prominence was recorded by John Hawkins in 1776 in his General History of the Science and Practice of Music: