Rishabhapriya


Rishabhapriya is a ragam in Carnatic music. It is the 62nd melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is the prati madhyamam equivalent of Charukesi, which is the 26th melakarta. It is called Ratipriya in Muthuswami Dikshitar school of Carnatic music.

Structure and Lakshana

It is the 2nd rāgam in the 11th chakra Rudra. The mnemonic name is Rudra-Sri. The mnemonic phrase is sa ri gu mi pa dha ni. Its structure is as follows :
  • [Arohana|]:
  • [Avarohana|]:
This scale uses the notes chathusruthi rishabham, antara gandharam, prati madhyamam, shuddha dhaivatham and kaisiki nishadham. As it is a melakarta rāgam, by definition it is a sampoorna rāgam.

''Janya'' rāgams

A few minor janya rāgams are associated with Rishabhapriya. See List of janya rāgams for all associated scales of Rishabhapriya and other 71 melakarta rāgams.

Compositions

A few compositions which are set to Rishabhapriya are:

Related rāgams

This section covers the theoretical and scientific aspect of this rāgam.
Rishabhapriya's notes when shifted using Graha bhedam from the panchamam, yields one other melakarta rāgam, namely Kokilapriya. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāgam. "Rishabhapriya" and "Kokilapriya" are also the only melakarta rāgams to contain a wholetone scale. Omitting Pa in "Rishabhapriya" and Sa in "Kokilapriya" yields the scale. For further details and an illustration refer Graha bhedam on Kokilapriya.
GOPRIYA is a janya raga created by omitting panchamam in the aarohanam and avarohanam is special in that doing Grahabhedam on it generates the same raga itself over and over. This is because the notes are equally separated in frequency...source is a lec-dem by S. Soumya in Margazhi Maha Utsavam in January 2017. In western classical music terminology, this is called a Whole Tone Scale.