Richard Wollheim
Richard Arthur Wollheim was a British philosopher noted for original work on mind and emotions, especially as related to the visual arts, specifically, painting. Wollheim served as the president of the British Society of Aesthetics from 1992 onwards until his death in 2003.
Biography
Richard Wollheim was the son of Eric Wollheim, a theatre impresario, and Constance Mary Baker, an actress who used the stage name Constance Luttrell. He attended Westminster School, London, and Balliol College, Oxford, interrupted by active military service in World War II for which he volunteered. He obtained two first class BA degrees, one in History in 1946, the other in Philosophy, Politics and Economics in 1948. The same year, he began teaching at University College London, where he became Grote Professor of Mind and Logic and Department Head from 1963 to 1982.He retired from that position to take up a professorship at Columbia University. He then taught at the University of California at Berkeley. He chaired the Department at UC Berkeley, 1998–2002. Between 1989 and 1996 he split his time between Berkeley and the University of California, Davis, where he was Professor of Philosophy and the Humanities. Additionally, he held visiting positions at Harvard University, the University of Minnesota, Graduate Center, CUNY and elsewhere.
He was elected as a fellow of the British Academy in 1972 and of the American Academy of Arts and Sciences in 1986.
Wollheim gave several distinguished lecture series. He delivered the William James Lectures at Harvard in 1982, published as The Thread of Life and the Ernst Cassirer Lectures at Yale in 1991, upon which were based his On the Emotions. He also gave the Andrew W. Mellon lectures in Fine Arts at the National Gallery of Art in 1984 which, with much elaboration, became his Painting as an Art.
In 1962, Wollheim published an article "A paradox in the theory of democracy", in which he argued that a supporter of democracy faces a contradiction when he votes. On the one hand he wants a particular party or candidate to win, but on the other hand he wants whoever wins the most votes to win. This has become known as Wollheim's paradox.
His Art and its Objects had a significant impact upon both aesthetics and the philosophy of art.
In a 1965 essay, 'Minimal Art', he coined the term Minimalism.
As well as for his work on the philosophy of art, Wollheim was known for his philosophical treatments of depth psychology, especially that of Sigmund Freud, to whose work he had been introduced by his father.
Wollheim was an honorary affiliate of the British Psychoanalytical Society, to whom he gave an Ernest Jones lecture in 1968 and in 1991 he was given an award for his services to psychoanalysis by the International Psychoanalytical Association.
Personal life
Wollheim married Anne Barbara Denise, daughter of Lieutenant-Colonel George Powell, of the Grenadier Guards, after her divorce from her first husband, the literary critic Philip Toynbee. They had twin sons, Bruno and Rupert. Their marriage was dissolved in 1967. Wollheim married Mary Day Lanier, stepdaughter of Dwight Macdonald, in 1969; their daughter is Emilia.Publications
For an extensive bibliography of Richard Wollheim's publications by a professional bibliographer, see Eddie Yeghiayan's UC-Irvine site. See also the 'Philweb' listing.Many of Richard Wollheim's publications are outside academic categories. Besides books, he published many articles, in journals and edited collections, book reviews, and gallery catalogues for shows. He also left writings in manuscript, letters and recordings of his talks.
Books and monographs (selected)
- F. H. Bradley. Harmondsworth; Baltimore: Penguin, 1959. 2d edition, 1969.
- . London: Fabian Society, 1961.
- 'On Drawing an Object'.: London: University College, 1965. Repr. in On Art and the Mind.
- Art and Its Objects: an Introduction to Aesthetics. New York: Harper & Row, 1968. Harmondsworth: Penguin Books, 1970. As Harper Torchbook, 1971.
- *Art and its Objects: With Six Supplementary Essays. 2d edition. Cambridge, New York: Cambridge University Press, 1980.
- A Family Romance. London: Jonathan Cape, 1969. New York: Farrar, Straus, Giroux, 1969.
- Freud. London: Collins, 1971. Paperback, 1973. American and later Cambridge University Press eds. titled Sigmund Freud.
- On Art and the Mind: essays and lectures. Cambridge, Massachusetts: Harvard University Press,1972.
- Dawes Hicks Lecture —repr. in The Mind and Its Depths, 1993.
- 'The Sheep and the Ceremony' The Leslie Stephen Lecture, 1979 —repr. in The Mind and Its Depths, 1993.
- The Thread of Life. Cambridge, Massachusetts: Harvard University Press, 1984.
- Painting as an Art. Andrew M. Mellon Lectures in Fine Arts, National Gallery of Art, Washington, D.C. Cambridge, Massachusetts: Harvard University Press, 1987.
- The Mind and Its Depths. Cambridge, Massachusetts: Harvard University Press, 1993.
- On the Emotions. New Haven and London: Yale University Press, 1999.
- Gary Kemp and Elisabetta Toreno Uncollected Writings: Writing on Art, Oxford, 2025
- Jonathan Wolff Uncollected Writings: Writing on Political Philosophy,'' Oxford, 2025
Edited books
- Hume on Religion London: Collins, Fontana Library, 1968
- The Image in Form: Selected Writings of Adrian Stokes, 1974
- Freud: A Collection of Critical Essays, reprinted as Philosophers on Freud: New Evaluations
- *includes Wollheim's "Introduction" and "Imagination and Identification"
- Philosophical Essays on Freud, with James Hopkins. Cambridge: Cambridge University Press, 1982.
- *includes Wollheim's "The bodily ego".
- R.B.Kitaj: A Retrospective, with Richard Morphet. London: Tate Publishing, 1994.
- *includes Wollheim's "Kitaj: Recollections and Reflections"
Selected articles
- "`Monstrous Orthodoxy." Review of H. B. Acton's The Illusion of the Epoch: Marxism-Leninism as a Philosophical Creed,. New Statesman and Nation , 49: 548, 550.
- "Heterosexual Duties." Review of C. H. Rolph, ed. Does Pornography Matter? ''New Statesman, 62: 656, 658.
- "Crime, Sin, and Mr. Justice Devlin", Encounter, vol. 13, no. 5, pp. 34–40.
- "Minimal Art", Arts Magazine : 26–32. Repr. in Minimal art: a critical anthology and On Art and the Mind.
- "On the Theory of Democracy" in Bernard Williams and Alan Montefiore, British Analytical Philosophy, pp. 247–66
- "Nelson Goodman's Languages of Art", The Journal of Philosophy: 62, no. 16 : 531.
- "Philosophy and the Arts".In Bryan Magee, ed., Modern British Philosophy, 1971.
- iarchive:TheTimesLiterarySupplement1978UKEnglish/Feb 17 1978, The [Times Literary Supplement, #3960, UK (en)/page/n13/mode/1up|"Adrian Stokes, critic, painter, poet"], Times Literary Supplement : 207–209.
- "The Artistic Temperament", The Times Literary Supplement : 1045
- "Art as a Form of Life." In Ted Honderich and Myles Burnyeat, eds., Philosophy As It Is, 1979
- “Pictorial Style: Two Views.” In The Concept of Style, edited by Berel Lang, 129-148, 1979.
- "The Cabinet of Dr Lacan", Topoi: 10 no. 2 : 163–174.
- , London Review of Books'' 25, no. 23.