Richard Rodney Bennett


Sir Richard Rodney Bennett was an English composer and pianist. He was noted for his musical versatility, drawing from such sources as jazz, romanticism, and avant-garde; and for his use of twelve-tone technique and serialism. His body of work included over 200 concert works and 50 scores for film and television. He was also active in jazz, as a composer, a pianist, and an occasional vocalist.
For his scoring work, Bennett was nominated for a total of 10 BAFTA Awards, winning once for Best Original Music for the film [Murder on the Orient Express (1974 film)|Murder on the Orient Express (1974 film)|Murder on the Orient Express]. He was also nominated for three Academy Awards and three Grammy Awards, among other accolades. He was the International Chair of Composition of the Royal Academy of Music, and was knighted in 1998.

Life and career

Bennett was born at Broadstairs, Kent, but was raised in Devon during World War II. His mother, Joan Esther, née Spink was a pianist who had trained with Gustav Holst. His father, Rodney Bennett, was a children's book author, poet and lyricist, who worked with Roger Quilter on his theatre works and provided new words for some of the numbers in the Arnold Book of Old Songs.
Bennett was a pupil at Leighton Park School. He later studied at the Royal Academy of Music with Howard Ferguson and Lennox Berkeley. Ferguson regarded him as extraordinarily brilliant, having perhaps the greatest talent of any British composer in his generation, though lacking in a personal style. During this time, Bennett attended some of the Darmstadt summer courses in 1955, where he was exposed to serialism. He later spent two years in Paris as a student of the prominent serialist Pierre Boulez between 1957 and 1959. He always used both his first names after finding another Richard Bennett active in music.
Bennett taught at the Royal Academy of Music between 1963 and 1965, at the Peabody Institute in Baltimore, United States from 1970 to 1971, and was later International Chair of Composition at the Royal Academy of Music between 1994 and the year 2000. He was appointed a Commander of the Order of the British Empire in 1977, and was knighted in 1998.
Bennett produced over 200 works for the concert hall, and 50 scores for film and television. He was also a writer and performer of jazz songs for 50 years. Immersed in the techniques of the European avant-garde via his contact with Boulez, Bennett subsequently developed his own dramato-abstract style. In his later years, he adopted an increasingly tonal idiom.
Bennett regularly performed as a jazz pianist, with such singers as Cleo Laine, Marion Montgomery, Mary Cleere Haran, and more recently with Claire Martin, performing the Great American Songbook. Bennett and Martin performed at such venues as The Oak Room at the Algonquin Hotel in New York, and The Pheasantry and Ronnie Scott's Jazz Club in London.
In later years, in addition to his musical activities, Bennett became known as an artist working in the medium of collage. He exhibited these collages several times in England, including at the Holt Festival, Norfolk in 2011, and at the Swaledale Festival, Yorkshire, in 2012. The first exhibition of his collages was in London in 2010, at the South Kensington and Chelsea Mental Health Centre, curated by the Nightingale Project, a charity that takes music and art into hospitals. Bennett was a patron of this charity. Bennett is honoured with four photographic portraits in the collection of the National Portrait Gallery, London.
Bennett was gay and in 1995 Gay Times nominated him as one of the most influential gay people in music. He was based in New York City from 1979 until his death there in 2012.
Anthony Meredith's biography of Bennett was published in November 2010. Bennett is survived by his sister Meg, the poet M. R. Peacocke, with whom he collaborated on a number of vocal works.
Bennett's cremated remains are buried in Section 112, Plot 45456 at Green-wood Cemetery, Brooklyn. His grave is marked by a grey granite headstone.

Music

Despite his early studies in modernist techniques, Bennett's tastes were eclectic. He wrote in a wide range of styles, including jazz, for which he had a particular fondness. Early on, he began to write music for feature films. He said that it was as if the different styles of music that he was writing went on 'in different rooms, albeit in the same house'. Later in his career the different aspects all became equally celebrated – for example in his 75th birthday year, there were numerous concerts featuring all the different strands of his work. At the BBC Proms for example his Murder on the Orient Express Suite was performed in a concert of film music, and in the same season his Dream Dancing and Jazz Calendar were also featured. Also at the Wigmore Hall, London, on 23 March 2011, a double concert took place in which his Debussy-inspired piece Sonata After Syrinx was performed in the first concert, and in the Late Night Jazz Event which followed, Bennett and Claire Martin performed his arrangements of the Great American Songbook. See also Tom Service's appreciation of Bennett's music published in The Guardian in July 2012.

Film and television scores

He wrote music for films and television; among his scores were the Doctor Who story The Aztecs for television, and the feature films Billion Dollar Brain, Lady Caroline Lamb and Equus. His scores for Far from the Madding Crowd, Nicholas and Alexandra, and Murder on the Orient Express, each earned him Academy Award nominations, with Murder on the Orient Express gaining a BAFTA award. Later works include Enchanted April, Four Weddings and a Funeral, The Tale of Sweeney Todd and Gormenghast. He was also a prolific composer of orchestral works, piano solos, choral works and operas. Despite this eclecticism, Bennett's music rarely involved stylistic crossover.

Selected works

Orchestral works

Aubade
  • Farnham Festival Overture
  • Symphony No. 1
  • Piano Concerto
  • Symphony No. 2 in one movement - commissioned by the New York Philharmonic Orchestra
  • Party Piece
  • Concerto for Orchestra
  • Viola Concerto - commissioned by the Northern Sinfonia for Roger Best
  • Violin Concerto
  • Zodiac
  • Serenade for small orchestra
  • Music for Strings
  • Sonnets to Orpheus for cello and orchestra
  • Harpsichord Concerto - premiere conducted by Leonard Slatkin. St. Louis Symphony Orchestra. Richard Rodney Bennett, harpsichord
  • Anniversaries
  • Sinfonietta
  • A Little Suite for chamber orchestra - based on selections from the song cycles The Insect World and The Aviary
  • Symphony No. 3
  • Saxophone Concerto for alto saxophone
  • Marimba Concerto
  • Diversions for chamber orchestra
  • Concerto for Stan Getz - for tenor saxophone, timpani and strings
  • Percussion Concerto - commissioned by and first performed at St Magnus Festival, Orkney, soloist Dame Evelyn Glennie, 1990
  • Trumpet Concerto - for trumpet and wind orchestra
  • Partita for orchestra
  • Reflections on a Sixteenth Century Tune - for string orchestra or double wind quintet
  • ''Troubadour Music''

Instrumental and chamber

  • Sonata - for piano, first published work
  • Impromptus - for guitar
  • Scena II - for solo cello; commissioned by the Music Department of the University College of North Wales, Bangor, with funds from Welsh Arts Council, first performed by Judith Mitchell 25 April 1974
  • Sonatina - for solo clarinet
  • After Syrinx I - for oboe and piano
  • Summer Music - for flute and piano
  • Sonata - for solo guitar
  • After Syrinx II - for solo marimba
  • Morning Music - for wind band
  • Over the Hills and Far Away - for piano 4 hands
  • The Four Seasons - for symphonic wind ensemble
  • Dream Sequence - for cello and piano, first performed in December 1994 at the Wigmore Hall, London by Julian Lloyd Webber and John Lenehan
  • Ballad in Memory of Shirley Horn - For clarinet and piano, written the year after her death to commemorate her
  • Lilliburlero ''Variations - for two pianos, commissioned by the Dranoff 2 Piano Foundation in Miami
  • Fanfare'' - for brass quintet

Operas

Ballet

Choral and vocal works

Tom o' Bedlam's Song - voice and celloTwo Madrigals: 1. Still to be neat, 2. The hour-glass – text by Ben JonsonThe Aviary, song cycle

Recordings

Albums

Solo:
  • Lush Life - Ode Records
  • I Never Went Away - Delos
  • Harold Arlen's Songs - Audiophile
  • A Different Side of Sondheim - DRG
  • Take Love Easy - Audiophile
  • Richard Rodney Bennett: Words And Music - Chandos
with Marion Montgomery
with Carol Sloane
  • Love You Madly - Contemporary
with Chris Connor
  • Classic - Contemporary
  • New Again - Contemporary
with Mary Cleere Haran
  • This Funny World: Mary Cleere Haran Sings Lyrics By Hart - Varèse Sarabande
  • Pennies From Heaven: Movie Songs From The Depression Era - Angel Records
  • The Memory Of All That: Gershwin On Broadway and In Hollywood - 2011 reissue
  • Crazy Rhythm: Manhattan in the 20s - Varèse Sarabande
with Claire Martin
Opera
  • The Mines of Sulphur - Chandos
Orchestral
Choral

Selected TV and filmography

Pickup Alley Face in the Night The Safecracker Indiscreet The Man Inside The Man Who Could Cheat Death The Angry Hills Chance Meeting The Devil's Disciple The Mark Only Two Can Play Satan Never Sleeps The Wrong Arm of the Law Heavens Above! Billy Liar Hamlet at Elsinore One Way Pendulum The Wednesday Play The Nanny The Witches Far from the Madding Crowd Billion Dollar Brain Secret Ceremony The Buttercup Chain Figures in a Landscape Nicholas and Alexandra Lady Caroline Lamb Voices Murder on the Orient Express Permission to Kill Sherlock Holmes in New York The Accuser aka L'Imprécateur Equus The Brink's Job Yanks The Return of the Soldier Knockback The Ebony Tower Murder with Mirrors Tender is the Night Poor Little Rich Girl: The Barbara Hutton Story The Charmer American Playhouse The Attic: The Hiding of Anne Frank Enchanted April Four Weddings and a Funeral Swann The Tale of Sweeney Todd