Richard Barrett (composer)


Richard Barrett is a Welsh composer known for his complex and often densely textured atonal music. His work frequently explores themes of fragmentation, transformation, and the interplay between acoustic and electronic sounds. Barrett's compositions encompass a wide range of genres, including orchestral works, chamber music, and electroacoustic pieces. He has collaborated with numerous ensembles and soloists, and his music has been performed internationally. Barrett is also recognized for his theoretical writings and his involvement in improvisation and live electronics.

Biography

Barrett was born in Swansea, Wales and attended Olchfa School. After completing his first bachelor's degree in genetics and microbiology from University College London in 1980, he began to study music, taking private lessons with Peter Wiegold, and soon thereafter participating in the 1984 Internationale Ferienkurse für Neue Musik where there were fruitful encounters with Brian Ferneyhough and Hans-Joachim Hespos. In the late 1980s he became associated with the so-called New Complexity group of British composers because of the intricate notation of his scores. He is equally active in free improvisation, most often in the electronic duo FURT with Paul Obermayer, formed in 1986, but also since 2003 as a member of the Evan Parker Electro-Acoustic Ensemble. Since 1990 about half of his compositions have been written for the ELISION Ensemble, most notably the extended works Opening of the Mouth, DARK MATTER, CONSTRUCTION and world-line. Most of his compositions since the 1990s have involved both acoustic and electronic resources, combined in many different ways. In 2005 he and Obermayer formed the electroacoustic octet fORCH.
He taught composition at Middlesex University from 1989 to 1992, and electronic composition at the Institute of Sonology of the Hague Royal Conservatory in 1996, where he worked until 2001. In 2009 he resumed teaching regularly at the institute, and is also Professor of Creative Music Research at Leiden University. Having moved from London to Amsterdam in 1993, he lived in Berlin from 2001 to 2013, initially as a guest of the German Academic Exchange Service's "Berliner Künstlerprogramm", except between 2006 and 2009 when he was a professor of composition at Brunel University London. Barrett has often been politically outspoken, and in 1990 joined the Socialist Workers Party. While no longer an active member he remains aligned with revolutionary socialism.
Barrett won the Kranichsteiner Musikpreis at the Internationale Ferienkurse für Neue Musik, Darmstadt, in 1986, and was awarded the Gaudeamus Prize in 1989. He also won the Chamber Music category of the 2003 British Composer Awards.
Many of Barrett's works are grouped into series, and have extra-musical associations—particularly with the writers Samuel Beckett and Paul Celan, but also the Chilean painter Roberto Matta, and ideas from physics, mythology, astrology and philosophy. Barrett's compositional techniques, which derive equally and indistinguishably from serial, stochastic and intuitive methods, have since the mid-1980s made extensive use of computer programs he has developed himself. He regards free improvisation as a method of composition rather than as a different or opposed kind of musical activity.
His codex series of compositions explores diverse ways of using composed frameworks as a point of departure for improvisation, particularly with larger groups, while the fOKT series extrapolates some of FURT's characteristic forms of texture and co-ordination into the octet context of the fORCH ensemble. The results of these more experimental and collaborative projects have exerted an increasing influence on Barrett's other compositional work, which remains mostly fully notated, although several compositions alternate between precise scoring and free improvisation for part or all of their duration. However, these different strategies are used to maximise the musical potential of the whole, rather than drawing attention to the distinction between improvisational and notational methods of composition—as Barrett himself puts it: "As a listener I generally prefer to concentrate on what music is doing rather than how it was done".
Since 2003 he has been working on an eight-part cycle of compositions collectively entitled resistance & vision and with a projected total duration of over six hours, of which the first, third, fifth, sixth, seventh and eighth have so far been completed. CONSTRUCTION is itself a conglomerate work lasting over two hours in performance, consisting of 20 components in four interwoven cycles which may also be performed singly or in various combinations. Since the completion of CONSTRUCTION he has completed a number of other projects which continue long-term associations—life-form for cellist Arne Deforce and world-line for ELISION—as well as inaugurating new ones—close-up for the Belgrade-based group Ensemble Studio6 and two three-hour works in progress natural causes for various ensembles including Musikfabrik, soundinitiative, Ensemble du Bout du Monde and Fonema Consort, and PSYCHE for ELISION.
He is currently based in The Hague, Netherlands. In 2019 his book Music of Possibility was published by Vision Edition, followed in 2023 by Transforming Moments from the same publisher.

Selected works

Ne songe plus à fuir for solo celloEARTH for trombone and percussionI open and close for string quartetnegatives for 9 playersVanity for orchestraCHARON for bass clarinetTract for solo pianoOpening of the Mouth for two vocalists, 9 instrumentalists and electronicstransmission for electric guitar and electronicsBlattwerk for cello and electronicsDARK MATTER for voices, ensemble and electronicsNO for orchestraFlechtwerk for clarinet and pianoadrift for piano and electronicsNacht und Träume for cello, piano and electronicsMesopotamia for 17 instruments and electronicscodex I –... for improvising ensemblesIF for orchestracell for alto saxophone, accordion and contrabassCONSTRUCTION for voices, instruments and electronicsvale for solo flutefold for solo Redgate-Howarth system oboe, also for soprano saxophonelife-form for cello and electronicsEQUALE 8-channel electronic music composed in collaboration with Kees Tazelaarurlicht for three percussionistsworld-line for flugelhorn/piccolo trumpet, percussion, electric lap steel guitar and electronicseiszeiten for horn, trombone, tuba and electronicswake for three instrumental trios and electronicscodex XV for three groups of improvising musicians and conductorclose-up for six performers and electronicseverything has changed/nothing has changed for orchestranatural causes act 3 for 16 musicians and electronicstkiva for 4 instruments and electronicsVermilion Sands electronic musicentoptic for percussion and electronicsmembrane for trombone and electronicspektis for vocalising harpistnatural causes act 2 for 8 performers and electronicsartefact electronic musicdistant music ominously nearing for flute and ensemblesorcerer for pedal steel guitarabsences for violin and percussionsomeone for saxophone quartet

Selected discography

Chamber Works. ELISION Ensemble conducted by Sandro Gorli —contains Ne songe plus à fuir, EARTH, Another heavenly day and negatives
  • FURT: Live in Amsterdam 1994 Vanity. BBC Symphony Orchestra conducted by Arturo Tamayo
  • FURT: angel Opening of the Mouth. ELISION Ensemble conducted by Simon Hewett
  • FURT: defekt
  • FURT: dead or alive
  • FURT: OMNIVM transmission. ELISION soloists—contains interference, abglanzbeladen/auseinandergeschrieben, basalt, air, knospend-gespaltener and transmission
  • fORCH: spin networks
  • Ute Wassermann and Richard Barrett: pollen
  • FURT plus: equals Negatives. ELISION Ensemble conducted by Sandro Gorli – reissue of Chamber Works with the addition of codex I
  • FURT: sense Adrift—3 compositions 2007/8. RB with Sarah Nicolls, ELISION, Champ d'Action—contains adrift, codex VII and codex IX
  • Richard Barrett and Han-earl Park : numbers DARK MATTER. ELISION and Cikada ensembles conducted by Christian Eggen
  • Richard Barrett, Jon Rose, Meinrad Kneer : colophony
  • SKEIN – RB with Frank Gratkowski, Achim Kaufmann, Wilbert de Joode, Okkyung Lee and Tony Buck
  • fORCH: "spukhafte Fernwirkung"
  • "Music for cello and electronics". Arne Deforce and Yutaka Oya close-up Ensemble Studio 6
With Evan Parker's Electro-Acoustic Ensemble