Ricardo Flores Peres
Ricardo Flores Peres, was a defender of the Galician independentist movement, in the 1920s and 1930s by means of the Pondal Nationalist Society, and its periodical, A Fouce.
Ricardo was born in Sada, Galicia, in 1903. During his childhood, he worked the land, while he studied, with difficulty because his family was poor. In Ferrol, during the period of military service, she knows theater staging of the pieces from Brotherhood of the Language, and he comes into contact with Galician-Portuguese language restoring activities. His intellectual and literary background is mainly an autodidactic background. In this period, in Ferrol, he makes a political commitment with the Galician independence cause, and he never will give this idea up, throughout his long life.
Political dimension and cultural activism
Like so many thousands of Galician people in those years, he was obliged to immigrate in 1929 to Argentina, for reasons of survival; but he did not lose contact with the reality of Galicia, keeping the commitment to defending the Galician national rights, while he worked professionally as a metalworker. He joined the Pondal Nationalist Society and wrote in its political magazine, The Sickle, defending advanced ideas about issues like language rights, and the Galician national sovereignty.He was also part of the Irmandade Galega, and of other Galician cultural groups in Argentina. Later he hold the position of secretary of the Conselho da Galiza, Galician government in exile during the dictatorship. Since 1981, when was created the Galician Association of Language, he integrates and supports, until his dead, in 2002, the reintegrationist movement. He never leave his patriotic and left-wing political option.
With Joám Vicente Biqueira, Ricardo Flores is considered an advanced man, due to his works and his articles in A Fouce, as well as his support for the idea of Galician-Portuguese like a language unity.
Literary dimension
As a playwright, he actively participated in the cultural life of the Galician community in Buenos Aires, forming theatre groups and writing literacy. He became a recognized author and he made several pieces which show his vision of the traditional Galicia, reflecting his independentist ideas and his defense of the Galician national identity.Works
Theatre
Mai e Filha, 1934Um ovo de duas gemas. Comédia rideira em dous passos, 1938 Enguedelho, 1939 Para isso sou teu amigo, 1952Ugio, 1953Quatro estampas de beiramar, 1961- ''Três novas estampas''