The Yardbirds discography


were an English rock group that had a string of Top 40 radio hits in mid-1960s in the UK and the US and introduced guitarists Eric Clapton, Jeff Beck, and Jimmy Page. Their first album released in the UK, Five Live Yardbirds, represented their early club performances with Clapton. The Yardbirds' first American album, For Your Love, was released to capitalise on their first hit, and to promote the group's first US tour. However, Clapton had already decided to pursue a different musical direction and was replaced by Beck. Several popular singles with Beck followed, including a second American album, Having a Rave Up with the Yardbirds, that, as with their previous album, was a split release featuring songs with both Clapton and Beck.
In 1966, the Yardbirds recorded their first studio album of all original material. Released in the UK as Yardbirds and in the US as Over Under Sideways Down, the album acquired the nickname "Roger the Engineer" after a caption on the English cover drawn by rhythm guitarist Chris Dreja. Shortly after its release, bassist Paul Samwell-Smith left the group and was replaced by Page. Page soon switched to second lead guitar, with Dreja taking over on bass. This lineup only produced two songsthe psychedelic "Happenings [Ten Years Time Ago]", which was the group's last song to reach the charts in the UK, and "Stroll On", the proto-heavy metal remake of "Train Kept A-Rollin'" they performed for the film Blowup.
The dual lead lineup with Beck and Page did not last long; Beck had become increasingly unhappy with the constant touring and left the group, with Page remaining as the sole guitarist. The period as a quartet with Page was the Yardbirds' most stable and lasted nearly two and a half years. In the US, they continued to release singles and an album, Little Games. The records, overseen by pop producer Mickie Most, were mostly out-of-step with the audience's shift to an album-oriented, more diverse sound. However, the Yardbirds' frequent concert appearances at counter-culture venues were well received. They were able to perform more experimental fare, such as "Dazed and Confused", the Page solo acoustic guitar piece "White Summer", and expanded, reworked versions and medleys of some of their earlier songs, as documented on the Page-produced Yardbirds '68. After a last American tour, the group disbanded in the summer of 1968.
Since their breakup, a number of new albums have appeared. Besides numerous anthologies, albums featuring additional live recordings and various demos and outtakes from 1963 to 1968 have been released. Although some have received favourable reviews, music critic Richie Unterberger has noted the great number of substandard releases throughout the world. In 1994, original drummer Jim McCarty and rhythm guitarist Chris Dreja began performing and recording as the Yardbirds. Recordings with various singers and guitarists have been released.

Original 1964–1968 releases

The Yardbirds were signed to EMI and their records were released through the Columbia Graphophone Company in the UK and Epic Records in the US. In other countries, the group's releases were handled by a variety of labels, including affiliates of Columbia and Epic, Capitol, Riviera, Ricordi International, Odeon, and CBS. Sometimes, Yardbirds' records appeared on several labels in the same territory and were reconfigured from the original UK and US records.

Albums

In their native UK, Columbia issued only two albums during the Yardbirds' career, Five Live Yardbirds and Yardbirds, popularly referred to as "Roger the Engineer". For Epic in the US, Yardbirds' manager Giorgio Gomelsky produced two albums, For Your Love and Having a Rave Up with the Yardbirds, which were collections of new material mixed in with singles and live recordings featuring both Clapton and Beck. Epic subsequently issued Over Under Sideways Down, The Yardbirds' Greatest Hits, and the Mickie Most-produced Little Games. Reconfigurations of the Epic For Your Love were released in Canada and other countries. All albums were released on 12-inch 33⅓ rpm LP records. Where two catalogue numbers are given, the album was released in monaural and stereo versions; otherwise it is mono only.

Other album appearances

In an early bid to promote the group, manager Gomelsky arranged for the Yardbirds to serve as backing musicians for a British tour by American bluesman Sonny Boy Williamson II. Recordings during the 1963–1964 tour were later released in 1966, after the Yardbirds had a string of Top 40 hits. In 1966, after Page joined the group, the Yardbirds contributed a remake of "Train Kept A-Rollin'", titled "Stroll On", for the Michelangelo Antonioni film Blow-up. In 1967, MGM Records issued the soundtrack album.
TitleAlbum detailsNotes
Sonny Boy Williamson and the Yardbirds
Recorded 8 December 1963, Crawdaddy Club, Richmond as backing musicians
Blow-UpThe Original Sound Track Album
  • Type: Soundtrack
  • Released: 20 February 1967 ; 10 May 1967
  • Label: MGM US ; MGM UK
  • Charts: on US Billboard 200
  • "Stroll On" is the only Yardbirds contribution to the soundtrack; film score is by Herbie Hancock

    Singles

    In the UK, singles were the only source of many of the Yardbirds' songs, until the first anthology albums were released in the 1970s. In the US, these were usually included on albums. Two singles released in Germany and Italy in 1966 remained unavailable on album until the 1980–1990s compilations by Charly Records. The last three Epic singles did not appear on an album until the 1991 expanded Little Games Sessions and More album. All singles and extended play were released on 7-inch 45 rpm records.

    Releases after 1969

    A large number of Yardbirds anthologies of recordings originally produced by their first manager Gomelsky have been issued by numerous record companies over the years. These do not include songs recorded with other producers after March 1966, such as "Over Under Sideways Down", "Happenings [Ten Years Time Ago]", and "Little Games". Often, the albums are a haphazard mix of studio and live recordings from the Clapton and early Beck eras. Music critic Richie Unterberger wrote:
    However, a few early Epic anthologies and the Rhino Records set Ultimate! managed to cross license material from the different producers. Many albums of live recordings focusing on performances with Clapton or Beck have appeared and, in 2017, the Page-produced Yardbirds '68 was released. One studio album and several live albums recorded by the post-1999 reconstituted Yardbirds have been issued.
    TitleAlbum detailsNotes
    The Yardbirds Featuring Performances by Jeff Beck, Eric Clapton, Jimmy Page
    • Type: Compilation
    • Released: 31 August 1970
    • Format: 2-LP record
    • Label: Epic
    • Charts:
    20 tracks from 1964 to 1967 not already included on The Yardbirds Greatest Hits
    Live Yardbirds! Featuring Jimmy Page
  • Type: Live
  • Released: 13 September 1971
  • Format: LP
  • Label: Epic
  • Recorded 1968 in New York City; withdrawn shortly after release, but frequently bootlegged; superseded by Yardbirds '68
    Remember...The Yardbirds
  • Type: Compilation
  • Released: 18 June 1971
  • Format: LP
  • Label: Regal Starline
  • 12 tracks, limited to pre-Roger the Engineer recordings
    Shapes of Things
  • Type: Compilation
  • Released: 9 December 1977 ; 1978
  • Format: 2-LP
  • Label: Charly UK ; Bomb Canada
  • Charts:
  • 24 tracks, pre-Roger the Engineer recordings
    London 1963The First Recordings!
  • Type: Live
  • Released: 17 July 1981
  • Format: LP, audio cassette
  • Label: L & R
  • Recorded 8 December 1963, Crawdaddy Club, Richmond, UK; 10 December 1963, R.G. Jones Studio, Morden, UK
    Yardbirds...On Air
  • Type: Live
  • Released: 7 May 1991
  • Format: Compact audio disc
  • Label: Band of Joy
  • Recorded 1965–1968 at BBC studios; re-released as BBC Sessions
    Little Games Sessions and More
  • Type: Compilation
  • Released: 8 April 1991
  • Format: 2-CD
  • Label: EMI USA
  • Both stereo and mono versions of original album tracks, plus non-album singles and alternate takes/mixes
    Train Kept A-Rollin'The Complete Giorgio Gomelsky Productions
  • Type: Anthology
  • Released: 11 May 1993
  • Format: 4-CD boxed set
  • Label: Charly
  • Most available pre-Roger the Engineer recordings, including previously unreleased 1963–1964 demos and live recordings, and later alternate takes; re-released as The Yardbirds Story
    Reunion Jam
  • Type: Live
  • Released: 1 December 1999
  • Format: CD
  • Label: Mooreland St.
  • Recorded 1992 in London
    Cumular Limit
  • Type: Compilation
  • Released: 25 August 2000
  • Format: 2-CD
  • Label: Burning Airlines
  • Includes demos recorded in New York in 1968 and enhanced CD of four live songs from 1967 German TV show
    Ultimate!
  • Type: Compilation
  • Released: 31 July 2001
  • Format: 2-CD
  • Label: Rhino
  • 52 tracks from 1963 demos to 1968 last single
    Birdland
  • Type: Studio
  • Released: 21 April 2003
  • Format: CD, LP
  • Label: Favored Nations
  • Charts:
  • First studio album in Dreja-McCarty era, recorded 2003 in Los Angeles and London with several guests
    Live! Blueswailing July '64
  • Type: Live
  • Released: 23 September 2003
  • Format: CD
  • Label: Castle Music
  • Recorded in July 1964 at an unknown venue
    Live at B.B. King Blues Club
  • Type: Live
  • Released: 30 March 2007
  • Format: CD
  • Label: Favored Nations
  • Recorded in 2006 in New York City
    Reunion Jam Vol. II
  • Type: Live
  • Released: 25 June 2007
  • Format: CD
  • Label: Voiceprint
  • Recorded 1992 in London
    Glimpses 1963–1968
  • Type: Compilation
  • Released: 5 December 2011
  • Format: 5-CD boxed set
  • Label: Easy Action
  • Mostly live recordings, including some unreleased and those previously scattered among various semi-official and bootleg releases
    Making Tracks
  • Type: Live
  • Released: 7 October 2013
  • Format: CD
  • Label: Wienerworld
  • Recorded during 2010–2011 US tours
    Yardbirds '68
  • Type: Compilation
  • Released: November 2017
  • Format: 2-CD, 2-LP
  • Label: JimmyPage.com
  • Recorded March and April 1968 in New York City

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