Requiescant
Requiescant is a 1967 Spaghetti Western film directed by Carlo Lizzani and starring Lou Castel, Mark Damon, Barbara Frey and Pier Paolo Pasolini, in one of his few acting roles.
Plot
At Fort Hernandez near San Antonio, a group of Mexican villagers are betrayed and murdered by Confederate States|Confederate] soldiers under the command of the aristocrat Ferguson. A little boy survives and runs into the desert, where he is rescued by Jeremy, a priest, who is there with his small family. The priest raises him as he was his own son. Although heavily religious, the boy also proves to be an excellent gunslinger. Growing up, he gets along particularly well with his stepsister Princy, who one day rebels against her family and joins a traveling troupe.Setting out to find her, every time he kills an enemy he dismisses him by pronouncing the Latin phrase: "Requiescant!", which earns him his nickname. When he comes to San Antonio, he finds that the city belongs to former officer Ferguson. In the saloon he finds Princy working as a prostitute and Ferguson's subordinate Dean Light as her pimp. Ferguson refuses to let Princy walk away with Requiescant. When Requiescant learns of his true identity, he supports the priest Don Juan in his uprising against Ferguson. After a clash, Requiescant kills Ferguson and frees the townspeople from tyranny.
Cast
- Lou Castel: "Requiescant"
- Mark Damon: George Bellow Ferguson
- Pier Paolo Pasolini: Father Juan
- Barbara Frey: Princy
- Rossana Martini : Lope
- Mirella Maravidi: Edith Ferguson
- Franco Citti: Burt
- Carlo Palmucci: Dean Light
- Ferruccio Viotti: Father Jeremy
- Ninetto Davoli : El Niño
- Lorenza Guerrieri: Marta
- Luisa Baratto : Pilar
- Nino Musco: old mute
- Anne Carrer: Lavinia
- Vittorio Duse: "El Doblado"
- Massimo Sarchielli: Leonardo Marquez
- Pier Annibale Danovi: Felipe
Reception and critiques
Ulrich P. Bruckner highlights the political dimension of the film: "Mark Damon, normally the hero, goes against his image and plays the vampire-like villain Ferguson, with pale make-up and dressed entirely in black, who is a perfect contrast to Pasolini's Don Juan. Both believe only in their own truth; the revolutionary underdog Don Juan, who was forced to join the revolution and fight against the oppressors, and on the other side the aristocrat Ferguson, who cannot accept the fact that there can be equality between the ruling and the ruled."
The German Lexicon of international film described Requiescant as a "realistic western about pre-revolution Mexico, without sufficient psychological foundation and with a certain dose of brutality".