Red Mitchell
Keith Moore "Red" Mitchell was an American jazz double-bassist, composer, lyricist, and poet.
Biography
Mitchell was born in New York City. His younger brother, Whitey Mitchell, also became a jazz bassist.Mitchell was raised in New Jersey by a father who was an engineer and loved music, and a mother who loved poetry. His first instruments were piano, alto saxophone, and clarinet. Although Cornell University awarded him an engineering scholarship, by 1947 he was in the U.S. Army playing bass. The next year, he was in a jazz trio in New York City.
Mitchell performed and/or recorded with Mundell Lowe, Chubby Jackson, Charlie Ventura, Woody Herman, Red Norvo, Gerry Mulligan, and, after joining the West Coast jazz scene in the early 1950s, with André Previn, Shelly Manne, Hampton Hawes, Billie Holiday, Stan Seltzer, Ornette Coleman, and others such as Mahalia Jackson. He also worked as a bassist in television and film studios around Los Angeles, occasionally appearing on screen. Mitchell also appeared in documentaries about Tal Farlow and Zoot Sims.
Saxophonist Harold Land and Mitchell founded and co-led a quintet in the early 1960s.
Mitchell moved to Stockholm in 1968. He won Sweden's Grammis Award in 1986 and again in 1991, for his recorded performances as a pianist, bassist, and vocalist, and for his compositions and poetic song lyrics.
During this period, Mitchell performed and/or recorded with Clark Terry, Lee Konitz, Herb Ellis, Jim Hall, Joe Pass, Kenny Barron, Hank Jones, Ben Webster, Bill Mays, Warne Marsh, Jimmy Rowles, Phil Woods, Roger Kellaway, Putte Wickman and others. He frequently collaborated in duos, most notably with pianist Kellaway after the mid-1980s.
The Swedish government awarded Mitchell the Illis quorum in 1992.
Returning to the United States in early 1992, Mitchell settled in Oregon, where he died of a stroke at age 65 on November 8, 1992.
A collection of his poetry was published posthumously. His widow is preparing a biography.
Technique and playing style
Mitchell used standard tuning during the 1950s and for the first half of the 1960s, and produced sound similar to his professional jazz bass peers. However, "in 1966 he switched to cello tuning on his bass. At the same time, he began adjusting the tone controls of his amplifier to create a soft, unfocused sound in the lowest notes and to emphasize the upper harmonics in higher notes. The result was an airy tone quality that sounded gentle, not muscular. This airy tone and his frequent habit of strumming the strings with his right thumb contributed greatly to his unusual style."Discography
As leader/co-leader
Happy Minors 10" LP with Bob Brookmeyer and Zoot SimsRed Mitchell Presenting Red Mitchell Get Those Elephants Out'a Here with Whitey Mitchell, Blue Mitchell and André Previn- Rejoice! Hear Ye! by the Red Mitchell-Harold Land QuintetOne Long String Bästisar! with Evabritt StrandbergLive at Cervantes with Robert MalmbergTwo Way Conversation with Barney KesselI Concentrate on You: A Tribute to Cole Porter with Lee KonitzChocolate Cadillac with Horace Parlan, Nisse Sandstrom, Rune Carlsson, Idrees Sulieman, 1976But Three's a Crowd with Karin KrogBlues for a Crushed Soul Jim Hall/Red Mitchell with Jim HallValse Hot: Sweet Basil 1978 with Jim HallScairport Blues Red'n Me with Jimmy RowlesWhat I Am Bass Club with Isao Suzuki and Tsuyoshi YamamotoYou're Me with Tommy FlanaganEmpathy with Joe BeckThree for All with Phil Woods and Tommy FlanaganWhen I'm Singing Simple Isn't Easy, 1983Home Suite, 1985To Duke and Basie with Clark TerryDuo with Hank Jones Fifty/Fifty with Roger KellawayJive at Five with Clark Terry
- The Red Barron Duo with Kenny BarronAlone Together with Roger KellawayMitchell's Talking with Ben Riley, Kenny Barron, 1989Blaus with Jan Johannsson, 1992Life's a Take with Roger KellawayEvolution with Lars Jansson, Joakim Milder, 1995Live in Stockholm with Roger Kellaway, Joakim Milder, 1995Red Mitchell-Warne Marsh Big Two, Vol. 2 with Warne Marsh, 1998Live at Port Townsend with George Cables, 2005
As sideman
With Mose AllisonWith Gene Ammons
With Frankie Avalon...And Now About Mr. Avalon
With Chet Baker
With Louis Bellson
With Paul Bley
With Pat Boone
With Bob Brookmeyer
With Red Callender
With Ornette Coleman
With Buddy Collette
With Tony Crombie
- Rockin' with the Rockets – 1958 -
With Maynard Ferguson
With Tommy Flanagan
- Super-Session with Elvin Jones
With Jimmy Giuffre
With Jim Hall
- Jazz Guitar
- Good Friday Blues as The Modest Jazz Trio
- Five Brothers
- Hampton Hawes Trio
- This Is Hampton Hawes
- Everybody Likes Hampton Hawes All Night Session! Vol. 1 All Night Session! Vol. 2 All Night Session! Vol. 3
- Four!
- The Seance
- I'm All Smiles
With Billie Holiday
With Stan Kenton
With Barney Kessel
With Karin Krog
With Johnny Mandel
With Shelly Manne
With Warne Marsh
With Gil Mellé
With Jack Montrose
With Gerry Mulligan
With Bill Perkins and Richie Kamuca
- Tenors Head-On
- Pal Joey Gigi
- King Size! West Side Story
- The Subterraneans (Soundtrack)
- André Previn and J. J. Johnson with J.J. Johnson
- Sessions, Live recorded 1956–57
- A Different Kind of Blues with Itzhak Perlman
- It's a Breeze with Itzhak Perlman
With Shorty Rogers
With Dick Rosmini
With Pete Rugolo
- The Music from Richard Diamond
- 10 Trombones Like 2 Pianos
- The Original Music of Thriller
- 10 Saxophones and 2 Basses
With Joe Sample
- Fancy Dance
With Zoot Sims
- In a Sentimental Mood
With Pierre Strom
- Rallarvisor
- Out of Nowhere
- Brahms Lullabye
- Funk Dumplin's
- West Side Story
- The Prophet
With Ben Webster
With Magni Wentzel
- ''New York Nights''