Rabbit of Seville
Rabbit of Seville is a Warner Bros. Looney Tunes theatrical cartoon short released on December 16, 1950. It was directed by Chuck Jones and written by Michael Maltese, and features Bugs Bunny and Elmer Fudd. The nonstop slapstick humor in the short is paced musically around the overture to Italian composer Gioachino Rossini's 1816 opera buffa The Barber of Seville. In 1994, Rabbit of Seville ranked number 12 in a list of "The 50 Greatest Cartoons" released in North America during the 20th century, a ranking compiled from votes cast by 1,000 artists, producers, directors, voice actors, and other professionals in the field of animation.
Plot
A local amphitheater bustles with spectators to view a rendition of The Barber of Seville. Amidst the tranquil setting, Bugs Bunny is chased by hunter Elmer Fudd, traversing from the distant hills to the theater's backstage. Bugs raises the curtain, revealing Elmer to the audience.Exploiting the theatrical milieu to his advantage, Bugs assumes various guises from the opera to outwit Elmer, from a temptress to a snake charmer and, in particular, a barber.
As the absurd escapade unfolds, a cacophony of comedic chaos ensues, culminating in a farcical exchange of increasingly outlandish weaponry. From pedicures to peculiar grooming rituals, Bugs subjects Elmer to a series of ludicrous predicaments.
In a climactic flourish, Bugs orchestrates a mock wedding ceremony, symbolizing the culmination of their absurd escapade. After the wedding, Bugs carries Elmer high into the rafters, opens the door to a prop house, and drops Elmer into the wedding cake reserved for the opera's second act far below. Bugs then chomps on a carrot and says "Ehhh... next!"
Production
In a plotline reminiscent of Stage Door Cartoon, Rabbit of Seville features Bugs Bunny being chased by Elmer Fudd into the stage door of the Hollywood Bowl, whereupon Bugs tricks Elmer into going onstage, and participating in a break-neck operatic production of their chase punctuated with gags and accompanied by musical arrangements by Carl Stalling, focusing on Rossini's overture to the 1816 opera The Barber of Seville.In Stalling's arrangement, the overture's basic structure is kept relatively intact; some repeated passages are removed and the overall piece is conducted at a faster tempo to accommodate the cartoon's standard running length. In a short sequence where Bugs' scalp massage follows a piano solo, the character's hands are shown with five fingers, instead of his usual four, so the character can believably follow the tune. In 1994 it was voted No. 12 of the 50 Greatest Cartoons of all time by members of the animation field.
The "Barber of Seville" poster that appears at the start of the film features three names: Eduardo Selzeri, Michele Maltese, and Carlo Jonzi, which are Italianized versions of the names of the producer, writer, and director of the film.