Neith
Neith was an ancient Egyptian deity, possibly of Libyan origin. She was connected with warfare, as indicated by her emblem of two crossed bows, and with motherhood, as shown by texts that call her the mother of particular deities, such as the sun god Ra and the crocodile god Sobek. As a mother goddess, she was sometimes said to be the creator of the world. She also had a presence in funerary religion, and this aspect of her character grew over time: she became one of the four goddesses who protected the coffin and internal organs of the deceased.
Neith is one of the earliest Egyptian deities to appear in the archaeological record; the earliest signs of her worship date to the Naqada II period. Her main cult center was the city of Sais in Lower Egypt, near the western edge of the Nile Delta, and some Egyptologists have suggested that she originated among the Libyan peoples who lived nearby. She was the most important goddess in the Early Dynastic Period and had a significant shrine at the capital, Memphis. In subsequent eras she lost her preeminence to other goddesses, such as Hathor, but she remained important, particularly during the Twenty-sixth Dynasty, when Sais was Egypt's capital. She was worshipped in many temples during the Greek and Roman periods of Egyptian history, most significantly Esna in Upper Egypt, and the Greeks identified her with their goddess Athena.
Symbolism
In her usual representations, she is portrayed as a fierce deity, a woman wearing the Red Crown, with a bow, occasionally holding or using two arrows. Her symbolism depicted most often is of a goddess of war and of hunting. According to Wilkinson, her hieroglyphic symbol consists of two bows crossed over a shield. The hieroglyphs of her name usually are followed by a determinative containing the archery elements. According to Fleming & Lothian, the symbol of her name is a shield symbol explained with either double bows, intersected by two arrows, or, by other imagery associated with her worship. As she is connected with weaving, the symbol is sometimes suggested to be a shuttle. However, according to scholar Arthur Evans, the bow of Neith in her symbol represented two bows in a sheath, and it was "convincingly" explained over the shuttle hypothesis, by Egyptologist Margaret Murray. Further, in a research project assessing fidelity of unpainted hieroglyphic symbols with their polychrome hieroglyphic counterparts, scholar David Nunn found another object's virtually identically positioned right triangles "certainly difficult to see as conical cakes" though still positively identified the foreground object with the two bows as "a package" concluding: "No conclusion can be reached as to exact nature." Her symbol also identified the city of Sais. This symbol was displayed on top of her head in Egyptian art. In her form as a goddess of war, she was said to make the weapons of warriors and to guard their bodies when they died.As a deity, Neith is normally shown carrying the was scepter and the ankh. She is associated with Mehet-Weret, as a cow who gives birth to the sun daily, whose name means "Great Flood." In these forms, she is associated with the creation of both the primeval time and the daily "re-creation". As protectress of Ra or the king, she is represented as a uraeus. In time, this led to her being considered as the personification of the primordial waters of creation.
Neith is one of the most ancient deities associated with ancient Egyptian culture. Flinders Petrie noted the earliest depictions of her standards were known in predynastic periods, as can be seen from a representation of a barque bearing her crossed arrow standards in the Predynastic Period, as is displayed in the Ashmolean Museum, Oxford.
Her first anthropomorphic representations occur in the early dynastic period, on a diorite vase of King Ny-Netjer of the Second Dynasty. The vase was found in the Step Pyramid of Djoser at Saqqara. That her worship predominated the early dynastic periods is demonstrated by a preponderance of theophoric names within which Neith appears as an element. Predominance of Neith's name in nearly forty percent of early dynastic names, and particularly in the names of four royal women of the First Dynasty, clearly emphasizes the importance of this goddess in relation to the early society of Egypt, with special emphasis on association with the Royal House.
In the very early periods of Egyptian history, the main iconographic representations of this goddess appear to have been limited to her hunting and war characteristics, although there is no Egyptian mythological reference to support the concept that this was her primary function as a deity.
It has been theorized that Neith's primary cult point in the Old Kingdom was established in Saïs by Hor-Aha of the First Dynasty, in an effort to placate the residents of Lower Egypt by the ruler of the unified country. Textual and iconographic evidence indicates that she was a national goddess for Old Kingdom Egypt, with her own sanctuary in Memphis, indicating the high regard held for her. There, she was known as "North of her Wall", as counterpoise to Ptah's "South of his Wall" epithet. While Neith is generally regarded as a deity of Lower Egypt, her worship was not consistently located in that delta region. Her cult reached its height in Saïs and apparently in Memphis in the Old Kingdom. and remained important, although to a lesser extent, through the Middle and New Kingdom. Her cult regained cultural prominence again during the Twenty-sixth Dynasty when worship at Saïs flourished again, as well as at Esna in Upper Egypt.
Neith's symbol and part of her hieroglyph also bore a resemblance to a loom, and so in later syncretisation of Egyptian myths by the Greek ruling class of that time she was conflated with Athena, a Greek deity of war and weaving.
Sometimes Neith was pictured as a woman nursing a baby crocodile, and she then was addressed with the title, "Nurse of Crocodiles", reflecting a southern provincial mythology in Upper Egypt that she served as the mother of the crocodile god, Sobek. As the mother of Ra, in her Mehet-Weret form, she was sometimes described as the "Great Cow who gave birth to Ra". As a maternal figure, Neith is associated with Sobek as her son, but in later religious conventions that paired deities, no male deity is consistently identified with her in a pair and so, she often is represented without one. Later triad associations made with her have little or no religious or mythological supporting references, appearing to have been made by political or regional associations only.
Some modern writers assert that they may interpret that as her being 'androgynous', since Neith is the creator capable of giving birth without a partner and without association of creation with sexual imagery, as seen in the myths of Atum and other creator deities; which in turn led to her being accredited as the creator of birth itself. However, her name always appears as feminine. Erik Hornung interprets that in the Eleventh Hour of the Amduat, Neith's name appears written with a phallus. In reference to Neith's function as creator with both male and female characteristics, Peter Kaplony has said in the Lexikon der Ägyptologie: "Die Deutung von Neith als Njt "Verneinung" ist sekundär. Neith ist die weibliche Entsprechung zu ''Nw, dem Gott der Urflut." She was considered to be eldest of the Ancient Egyptian deities. Neith is said to have been "born the first, in the time when as yet there had been no birth".
In the Pyramid Texts, Neith is paired with the goddess Selket as the two braces for the sky, which places these goddesses as the supports for the heavens. This ties in with the vignette in The Contendings of Horus and Seth when, as the most ancient among them, Neith is asked by the deities to decide who should rule. She was appealed to as an arbiter in the dispute between Horus and Seth. In her message of reply, Neith selects Horus, and says she will "cause the sky to crash to the earth" if he is not selected.
The click beetle is one of the beetles depicted in ancient Egyptian art. The shape of the beetle resembles the shape of some ancient Egyptian shields, and necklaces with beads shaped like the beetle have been found. Additionally, the beetles have been found depicted as part of a symbol of Neith. This association appears as early as the Protodynastic period, and may be the origin of one of Neith's stylized cult signs. The imagery of the beetle in association with Neith may have morphed over time into that of a shield.
Attributes
An analysis of her attributes shows Neith was a goddess with many roles. From predynastic and early dynasty periods, she was referred to as an "Opener of the Ways", which may have referred, not only to her leadership in hunting and war but also as a psychopomp in cosmic and underworld pathways, escorting souls. References to Neith as the "Opener of Paths" occurs in Dynasty Four through Dynasty Six, and Neith is seen in the titles of women serving as priestesses of the goddess. Such epithets include: "Priestess of Neith who opens all the ways", "Priestess of Neith who opens the good pathways", "Priestess of Neith who opens the way in all her places".. el-Sayed asserts his belief that Neith should be seen as a parallel to Wepwawet, the ancient jackal god of Upper Egypt, who was associated in that southern region with both royalty in victory and as a psychopomp for the dead.The main imagery of Neith as Wepwawet was as the deity of the unseen and limitless sky, as opposed to representations of Nut and Hathor, who respectively represented the manifested night and day skies. Neith's epithet as the "Opener of the Sun's paths in all her stations" refers to how the sun is reborn at various points in the sky, under Neith's control of all beyond the visible world, of which only a glimpse is revealed prior to dawn and after sunset. It is at these changing points that Neith reigns as a form of sky goddess, where the sun rises and sets daily, or at its 'first appearance' to the sky above and below. It is at these points, beyond the sky that is seen, that Neith's true power as the deity who creates life is manifested.
Georges St. Clair noted that Neith is represented at times as a cow goddess with a line of stars across her back , and maintained this indicated that Neith represents the full ecliptic circle around the sky, and is seen iconographically in ancient texts as both the regular and the inverted determinative for the heavenly vault, indicating the cosmos below the horizon. St. Clair maintained it was this realm that Neith personified, for she is the complete sky that surrounds the upper and lower sky, and who exists beyond the horizon, and thereby, beyond the skies themselves. Neith, then, is that portion of the cosmos that is not seen, and in which the sun is reborn daily, below the horizon.
Since Neith also was goddess of war, she thus had an additional association with death: in this function, she shot her arrows into the enemies of the dead, and thus she began to be viewed as a protector of the dead, often appearing as a uraeus snake to drive off intruders and those who would harm the deceased. She also is shown as the protectress of one of the Four sons of Horus, specifically Duamutef, the god who protected the stomach. Through her role as a goddess of weaving, she was associated with the wrappings of mummies.
Neith appears sporadically in the Pyramid texts, usually in association with the goddesses Isis, Nepthys, and Selket. These four initially appear as protectors of royal remains, or in other cases attendant to Osiris, Neith later would later appear in the funerary practices of commoners as well. The Coffin Texts portray Neith as involved in the judgement of the dead, and in her role as a patron goddess for weavers she is associated with the wrappings of mummies.