Post-contemporary
Post-contemporary is a forward-looking aesthetic philosophy distinguished by a re-constructive, global, human ethos which posits that the aesthetic experience is universal to humanity, and that this experience can inspire understanding and transformation. It has developed in tandem with new theories of emergence in complexity science, as well as advances in biosemiotics. In art historical terms, "modern" and "contemporary" arts are limited to their era and are defined by stylistic and philosophical parameters - chief among them, a critique of the classical European tradition and constructive philosophy, and secondly, the contemporary ethos is characterized by an emphasis on transient or exclusively contemporary issues which reflect the zeitgeist.
Modernism, post-modernism and contemporary art follow the tradition of deconstruction and questioning, while post-contemporary emphasizes generating new, constructive hypotheses. However, modeled after the scientific method, both modes are inter-dependent as the question|answer cannot exist without each other. Thus, post-contemporary views the history of the humanities as branching and pluralist, rather than a linear path of development. Consequently, PoCo has chosen a forking path, builds upon knowledge from all eras, and values quality, sublimity, and empathy above novelty. PoCo emphasizes empathy for all, regardless of race, gender, sexual orientation, or creed.
Post-contemporary as a concept was first described by Italian poet Primo Levi. The first documented use of the specific term was in 2005 by Abbas Gharib in a conversation with Bahram Shirdel, two architects of Iranian origins, both proficient in Western culture and participants in the current debate. The conversation was published by Sharestan Magazine, 55. 2007. The discussion took this definition also to distinguish the third millennium epitomes of creative sectors, by their projection into coming avant-garde configurations, toward future. To day in its own progress, the post-contemporary concepts are much better defined.
Main topics
Far from the modernist heterotopia, the post modernist historicism contemporary hazards and the current tautologies. The objective of two architects now is the recognition of the renovated of creative disciplines which are forming their concepts, by shifting above the contemporary contents and projections,Characteristics and attributes
By the ending decade of twentieth century, the "transitional contemporary" as the plethora of Western thoughts was mainly expressed in intellectual patterns, by borrowing tools from functions such as fluidity, flexibility, dynamicity, continuity, heterogeneity, smoothness, and transparency or by acquisition of concepts from transitional philosophy such as multiplicity, difference, repetition, nomadic and "weak thought". In the first decade of twenty-first century, the opening of minds and matters to the social contexts of sciences, technologies and to the means of physical environments, as well as to the organizational contents of political and economical components, helped the post-contemporary propositions to shift from the contemporary assumptions toward a new universal theory for retooling the educational, cultural and creative systems.In the same decade, the universal crisis of the Western economical system, and the deficits of the industrial productions mostly basing on the same system led to need of redefinition of social, political and economical resources, as the organizational components of territories.
These are the needs of re-appraisals on the industrial societies, for the implantation of post-contemporary organizational contents by the paradigms given by sciences and technologies toward the means of physical environments from micro-systems. to the macro-organizations and vice versa.
Post–Euclidean mathematics and geometries
The origin in diversely phenomenological systems and exact models from life sciences is in the area of the theory of applied dynamical systems and global bifurcations. The special interest in the subject can be found in a new emergent cross-disciplinary field known as mathematical neuroscience. Its scopes include nonlinear models of individual neurons and networks. In-depth analysis of such systems requires development of advanced mathematical tools paired with sophisticated computations. For instance, Andrey Shilnikov, a neuroscientist and mathematician derives models and create bifurcation toolkits for studying a stunning array of complex activities such as multistability of individual neurons and polyrhythmic bursting patterns discovered in multifunctional central pattern generators governing vital locomotor behaviors of animals and humans. Thanks to the non linear qualitative dynamics, the organization of holistic nature of post-contemporary lineage was implemented by interoprativity and interactivity within the heterogeneous components and characters of micro - systems, being present in many concrete social contents and in most territorial recourses. In this way post-structuralism as well as the new sciences of complexity, complexity theory and chaos theory, were appropriated and interpreted within micro - systems by means of "self-creation", expressing a fundamental dialectic among structure, mechanism and function, identifiable and recognizable in concrete territorial contexts.Relevances to architecture and design
In the field of architecture, the flourishing endeavor of "architecture of complexities" or customized "folding" theory for architecture in the transitional contemporary architecture are outstanding examples. The matter is well distinct by Patrick Schumacher from Zaha Hadid Architects issued as Parametric Pattern.The use of digital and parametric techniques have created a new spatial organization in urban design, architecture, and design that values the organizing form over the abstract function. This is a new method, out of the modern abstractions, versus its two-dimensional projections and against its typical linearity and flatness.
Later, an important critical topic was written on this subject by Farshid Moussavi a London-based architect and university teacher of Iranian origins.
The holistic dynamicity of post-contemporary paradigm and its built-in capacities for design agenda, incorporates the ten creative sectors such as architecture, urban design, engineering, design, graphics, art, photography, cinematography, music and performing arts. Architecture must evolve to keep itself relevant for society and to do this must adapt itself to the post-contemporary social and technological conditions and innovate by absorbing its influences.
The passage from the "star system architecture" to the social design is also improved by awarding the social architecture of Shigeru Ban, a Tokyo-born, architect by Pritzker Architecture Prize 2014, who designs elegant, innovative work for private clients, and uses the same inventive and resourceful design approach for his extensive humanitarian design efforts.
Visual arts
In the visual arts, post-contemporary has taken the form of representational painting, photography, sculpture and mixed media, which addresses current issues in globalized culture.The New Britain Museum of American Art was the first to dedicate a room to post-contemporary art, in their permanent collection - highlighting their new collection with a discussion panel on the term. The centerpiece of this collection is Graydon Parrish's The Cycle of Terror and Tragedy—a painting concerning the attack on the World Trade Center on 9/11.