Cédric Marszewski


Cédric Marszewski, also known as Pilooski, is a French DJ. He has toured numerous places and produced various styles of music ranging from drum and bass to hip hop. Pilooski has recorded as both an independent artist and with several record labels. He is best known for remixes of songs from the 1950s, 1960s and 1970s.

Career

Cédric Marszewski started music as a sound designer for the French national radio station, Radio France. As a musician and producer, he later joined with Guillaume Sorge and Clovis Goux in the D*I*R*T*Y collective. Together they released a music compilation and The Dirty Space Disco for French label Tigersushi.
He created theme music for an Adidas advertisement, and remixed the Frankie Valli song "Beggin'". Another campaign used his remix of Dee Edwards' "Why Can't There Be Love?"; the remix of the song and the original song itself have gained widespread popularity ever since, as well as for the "Celebrating Originality on the Streets" campaign.
After the international release of his remix of "Why Can't There Be Love?", Pilooski's originality caught the attention of the online-downloads based audience, giving him the opportunity to encounter more publicity contracts, as well as keeping a stable position to be considered for further Adidas collaborations.
Pilooski has been working for fashion as music supervisor for brands such as Hermès, Christophe Lemaire, Lanvin, and Bonpoint. He has worked as a music supervisor or composer for Hermès perfume campaign, on various projects featuring Jarvis Cocker, Narumi, Mark Kerr, Baxter Dury, and French writer Simon Liberati, as well as composing the score for French-Lebanese director Joyce A. Nawashati's first full-length film Blind Sun.
As a producer, Pilooski has produced for Tristesse Contemporaine, Hypnolove, Perez, and Discodeine. He has worked with Jarvis Cocker, Baxter Dury, Matias Aguayo and Kevin Parker.

Style

Pilooski's style has been noted for its atypical standards. His beats and remarkable usage of diverse musical influences is reflected in both his original work and remixes or covers, in which he is able to preserve the spirit and sentiment of the original creations while impregnating his personal label upon the songs.